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LUXANDER BLUMENSTIBDL’S  col- 
lection of paintings attracted to the 
American Art Galleries yesterday 

fashionable persons and artists in crowds. 

‘lIt is the most amiable collection that one 

may see. : 

| There is no pedantry, no prejudice. The. 
collector -asked of paintings that they 

| 


_jshould be graceful to him and to his 
friends. He did not ask of them to be ea 
| eertain epochs or schools. 

| He placed Courbet beside Lefebvre, with 
|delightful impartiality. His white hair. 
|glistened in the front rows of seats at the} 
imost varied art sales at Fuller’s Monets, 
jat Milliken’s ‘Mancts. 

| I thougat that Mr. Blumenstiel was | 
leclectic, that be desired examples of all 
expressions of art. But that was not his 
j 

i 

' 


inclination. Tt was for the pretty, the ex- 
iquisite and the rare. 

| His individuality is flagrant in his col- 
dlection. It has sketches by Menzel, Neu-! 
jville, Israels, Gerome, Rosa Bonheur, which 
{seem to haye been carefully selected, after | 
thours of delving in the artists’ portfolios, | 
ito express only their graceful traits. 


| 


j 
{ 


Gabriel, Arntzenius. When Gerome wished 
_to make a gift to Mr. Blumenstiel, Gerome 
“selected the most delicate picture that was! 
in his: studio, “The Sentinel,” an Albanian 
i costume of the most delightful colors. 

Another | Gerome, ‘‘The Sentinel at the 

_gultan’s Tomb,” harmonizes aptly the green |” 
and the red, the blue and the orange, of 
flags, rugs and costumes. The ‘Head,’ the 
portrait of a man, by Sir Joshua Reynolds. 
“is in the amber tone of Titian’s portraits | 
peeine Reynolds acquired. 
, “After the Storm,’ an old vessel at aj, 
pier, in colors red, blue, green and gold,| 
by Isabey, has the magic lights of an ame- 
|thyst. The same painter’s ‘‘Bringing Home 
the Wounded” is a poem of- graceful fig- 
ures and vivid colors. 

Boudin’s gray and green sea of Antwerp, 
“In the Harbor’; his ‘‘On the Bere, 
| painted at Deanville, his other works of {> 
‘the collection; Domingo’s ‘‘Cabaret,”’ Rous- | 2 
, Seau’s splendid “Sunset,” dark green and] 
' red; Swan's ‘Lioness and Foxhound,”’ have 

> 
| 


| 


} 


' multiple good qualities, 
| They have, especially, the grace that Mi, 
'Blumenstiel liked. Even Courbet’s “Surf” | 
‘has that grace. He liked the mgly so much 
. that the deformed trees and the bad ruins 
\bowed to him, but his “Surf,” with the 
| trough in its roll of waves, is captivating. 
Loreile’s “French Village,” with its street | 
of thatched cottages in the light ; ‘Leloir’s| 
( ‘Haryest Festival,’ an illustration en- 


Ss = — 5 


MBlimenstel s Paintings of pec Art. 
By HENRI PENE DU BOIS. 


|precious stones? His ‘City of Ophir’ {s a 


/sea is lapis-lamuli, 


/white and pink, in a tumbler, all the paint. | 


‘nude figure in to of pear 
The water colors are by Boudin, Lynch, } B is f pearls in the light. } 


| Home’*—are of | : 
| He had not yet 


which, one | 
oun 


mo 


larged into a mural decoration; Lefebyre’s 
“Pandora,” a slender, youthful figure not 
at all tragic, and his “Fruit Seller,’ are 
works of fashionable elegance, but particu- 
lar charm 

D6 you teen Marcus Simons’s transfor- | 
mation of the colors of nature Into fires of 


vivid example of that. But the blue of the 
the orange of the city 
in the distance is golden, and the comple- 
mentary tones captivate one. 

Chase’s ‘‘Carmencita’”’. is all exprieiton.| 
In Fantin-Latour’s figure of a nude woman | 
seated on a rock, In his “Carnations,” | 


: 
| 


er’s skill at painting, all the charm of | 
)mystery in hig expression appear. These | 
twe little pictures have the value of his | 
great canvases. Cazin’s “Brittany Land- | 
Scape,’’ a little ‘red-tiled house in a vast | 
field, is more precious than grand land-, 
seapes which he painted. The ‘Boats 
Leaving Ostend” bas the green tone of the 
most beautiful works of Clays. The} 
“Andromeda” of Henner in his inevitable 


The Dupre ‘‘Landscape,’”’ blue, orange, | 
red and green, is excellently expressive of 
the painter's arts. the. eoaeaael Si teeson-- 
st he moments. | 


“Landscape and 
ye erratic and in-| 


“la Republique,” | 
is a and the bone 


sufferable then. 
‘Raffaelli’s - ‘‘Ave 
with its statue, 
ers favorite 
send, B": “pastel: 
Venice,” ae __ Vibert’ a cs 


ay. dent peli 
his family, and of wh ech Try 
they poh am a ay 


4 beep si creserved | for 


“ over: 


all | 


| Biumenetiel fo on 
leeting, on ivory blad ned aes fan: 
sticks, pictures by : we whom he, liked. || 

They were mounted in- gold, in designs 
suggested by Madrazo, ‘and they are in!) 
glass, with black frames, five galleries, in || 
an artificial and preity classification of || 
dern painters. » | 


The Gheitest Single Price Was $3, 600 for" 


Thomas E. Kirby began: last evening, at 
Mendelssohn Hall, his sale by auction of 
ithe pictures collected by the late Alexander 
Blumenstiel. His friends, who are numer- 
ous, were there. One knew that they were 
friends because they criticised harshly, 
| without reason. One hundred and eight 
‘mumbers of the eatalogue brought $50,505, 

| 
‘ 
| 


as follows : 


‘No. _ Artist. Title. Buyer, |. Price. 
R Se: paar “Sketches: Mrs, © Woerise: 500 
‘ ho: oO Rw Boe elees bole oe ql 
| 2—Menzel, “three ‘Heads: .??. ‘Mrs, Woeris- Sd 
WOCEAL cl Pcs Hidde wos ei bieiete a tiater ewer ome F 80} 
3—Neuville, “Marching v F, J acoby s,s 50 
4— Rosa Bonheur, Pbattl tle ;’* Delancey 
ii ATG snighecs wisceiwletn melalets ie 4 Ms afeeebre ie nk 
| 5—Israels, “Streat Scene; s, ‘Blumen: | 
CIV ALO ig eee elie tea) WIS wre fo: die wie BN anne a 20 
6—Bonheur, “Sketches }’ AL ‘AL Healey... 50 
7—Gerome, “In Red Chalk: » Kmil Prinkel ~~ 65 
8—Bonheur. “Sketches; Newber. SOR MS sate i 60 
9—Boudin, “‘Villerville; Harry B. Smith, 40 
10—Boudin, “‘Sea and Sky;” Mr. ‘Springer. 40 
| 11—Gabriel, ‘‘Landscape;’’ "A. A. Healey. .: 50 
12-—-Esbens, “Palace Gate;’’ Harry Mayer.” 65 
138—Lynch, ‘““Mntertainment ; fn oe Cc. Heim- 


erdinger Si ee oaks we ig Vivace eae ere aeanS 205 
14—-Boudin; ‘‘Breton Interior;’? Claude... 105 
15—Lynch, \*‘Evening anes spite & I Wunder- 

Nights Close). iaiacs 
16—Arntzénitis, “Steet, | “Scene? Hugo ney 

Reisenger Aer Pa RP Sere et 15 
Yai7—Sinion, Landscape ;”’ F. ey Whitney. . 801 
18—Adan, “Sly Butler ;’ ” Egbert Ay Fuller. 100 | 
19—Esbens, “Palace Guard ;’ Emil Frenkel bors) 


| 

| £0—Tambutini, ‘Threading Needle;’? R. M. } 

I RV GOTH IGM a assieie Wievcleue s: sipieteWane’s slat ate 00 
21—Casanova, wTpead: 2 TAL” authier. 2) 9 210 
21a— ‘ Springer She ovgiale UMN SeaMe pear es adie 100 
gos Bart, i Summer ; €: James Rice, Jr. 220 | 


23—Ochtman, “Tandscape ; > Louis Bam- 


BUPA E coats. ai siaruloin'e ahevesaletgte Nee eeetntene we 230 | 
24—Couland, ‘‘Barnyard;’ a AL “Lischow. 140 
25—Wiggins, “After Glow?’ PAR se lW ig one 260 
26—Ten Kate, “Children "at Play 3". Louis) «Wane 

PRAM GLGRT eo: sis sie Merete eile eae onthtks enamel 185 | 
27—Robie, “Roses :”’ Thomas F,. Manning, 140 | 
28—Boudin, ‘ ‘Landscape;’ Emil Frenkel. 80 j 
29—Bonheur, “Black Sheep;” L. Hy, Crall 250 
30—Harpignies, ““Springtime”’ Bea Te 160 


81—Pokitonow, “Gardeners ;’ Bey Watson | 200: 
32—Berne-Bellecour, “Soldier with Flowers;’ 

W. W. Fuller: ab 4s oat OO | 
53—Casanova, “Pests! "AY Lischow.... 27 330 | 
384—Robie, “Flowers ; Bi , Henry Rheinhardt. . 250 
85—Gerome, ‘ ‘Sentinel ;’ ri Chapman... 1,075 
86—Piot, ‘‘Heady’ L.A. Lanthier Hay A. "825 
Tae “After a Walk;’’? Louis Bam- 25 0 

Ee a el pe Datei a we cenral acute tw oe oe alls Z ; 
38-_-Deter “Tandseape;" ‘A. F. Ullman. 
39-_Koekkoek, “Skating Scene;’’. Walte 1s.. fA H0 
40—Delpy, “Be ckwater:” Dr. Wm. aw ae 


41—Echtler. “Repentant;” 8, .U himann. Bie: 
42-—-Vollon, “Flowers and Fruit ;’ AS ae 
Glaenzer BEZOO ip ielg biieie Meare giuveiary 1,100 
43—Thaulow, “Greenhouses ; 3 Le Ralston. 425 
44—Wilson, ‘“Landscape;’ * Claude; sos. ae s 225 


45—W orms, “Pourboire ; 2 W.. ide.) Bal bert 800 | 
46—Reynolds, ‘Head ;”” ‘Scott & Towles.:. 400 
47-—Tiiem,, “* Constantinople ;” Springer. “410 
48—Courbet, “Swiss ‘Scene;’? Bh, A; Chap- 

PAB Netelle ae Se eKata lied) Mare itoratainue 1,000 
49—Tambert, “Gat and Kittens,” John By 

CCAP ae a egies al Ae hose hateeel eo tawra a RO 520 
50—Yortuny, “House in Madrid; 3 Claude. 625. 
51—Detti,  ‘““Water Excursion ;’ * Emile 


ranke] .... 
52—Clays, “Near “Rotterdam; ah) Son AR, 


aulow, “* Brows?” G, J. Carlton. 


‘scape and Cattle,” 


| 97—-Moste “Nicht? Al A,” 


not the most valuable. It was Dieterle’s 
Gaarroliany 2.) sels mar edtahe dkeeas 1,300}*‘Landscape With Cattele.” The sale is to} 
‘T10 be concluded this evening. , 


by Dieterle. 


4 —Blommers, “Industry ;”’ Meyer) H. ve a a 


ereve 


o—Isabey, "A atter Storm; Hugo” Reis- i 


56 Van | Tropes: ““Tandseape ‘and “Cattle; pete mn? 
o. ae ‘Ca riton er ee a Te) / 
a ‘Mother and. Chiid’ ss A. at PAG 
58—Boudin SY eettarbor John Ry ‘Carroll. . 
59—Loir, “Paris Scene;” Dr. Wm. Cowen... 
60—Clays,. “Mal ne; i, Hamilton....... 0 1 
61—Domingo, ‘ Nabaret;’’ Scott & Tow! CB. 
62—Casanova, “‘Musi cian Cardinal;” J. die 
63—Bonheur, “Horse; ~ L. Sire. ee, 
Seam! “Desert ;’ C. J. Carlton. 
65—-Gerome, “Sultan” 8. Tomb; Hie x 
ett s a 6's a ere sos ty 
66—Breton, ** ‘Returning | “Home: eet MEY Si 
Scribner » Mile teie. 6 eee eceee wos iY 
67—Rousseau, - “Sunset” ‘DiB Samuels... 
6S—Diaz, “““Wlowers 3"... .. 


O60 ees seerre 


 69-—R gece Fe Bridge ’ bat Venices’’’ Crowe 

Ole Tote uses eer esas seee 
Ciemene Hoya Wine;”’ BE, Fran- 
71—oays, a “Boat: ae vee *O Hebther Ne 


72 He iiead W. W. Baller 222 


73—Defre er, *“Head;’’ Emile Frankel, . 
(AT. oe * “Meditation; sa Ge, Edwin 
BPA Su aeaat ee is).8 ta aie Eisleiems 


ee “Tnformation ? ee . BF. Carro i ! 
oS hetoaes “Rue de la Paix;’’ Thomas 
7 7Teabene Marines? i a D, 7 Babcock. eam 
78—Ziem, ‘Grand ‘Canal;?* i C. a" Fee 
merdinger ee OA es ccacs, Ue 
79-—Swan,. “Lioness | ‘and  Foxho und ;”? 
80—I Be pond? A ioe de Bonet OU 
uhe e ond ;’ 00" Sons. 
81—Cazin, ‘‘Brook;’” “Mrs, Woerishoffer. . . 
82— Coorans,. aS Fishing;”? 1, L. A.!Lanthier.. 
a ‘Constantinople; ” O, Burnett, 
84—Jettel, “Retuming * "Ohas. Hazan eS 
85—Rico. “Rio “Marina.” D. B: Bula shite ed 
ou : “Returning sora | B, El. | 
1 eveeseo : 
Gidone ee uf 
88—Dicterle,, * Landscape aga Cattle; ge 
89—Worms, “Arértne Teller: HL Dp) Bab: a 
COC Ky Aaa aay oan cs Sak. 
90-——Kaemmerer, Wihing: ate Sy ces hie, i 
91—Boudin, “‘ mec Br Oue Viabe . age iete 
92—Courbet “Sunt; 2?” Sprin aes 580. 
oe ipeao bo Offerings sient Oe | wh Ree : 
94—Lerolle,  “Brench Vihiawe;?”"” We We ae 
Ful er esecsegves fades pt qh a 
95—Dupre, ‘‘Harvesit:’’ We Ww. ‘Fuller. ; avaleie 
96—Thoren, “Harvest :” H. Le BLA rN) Pen 
97—Inness, “Last of aso: familton 


98—Heilbuth, “Summer;’? J, Wasserman... 
anes rae “Maternal Affection;’’ Thos, 
as DUP UNA aMaiisl Seis. ai mins ni epee ce . 
100—Pertailt “Grape Gatherer;?’ Cc. 3. Gart- 
10, Hecho es “Harvest,” Vay a iy Pai : 
bric¢ Ua wate ofc wiece's i Wie 
102—Lefebrie, 7 “Fruit Seller; oe “ Gharies D: 
108—Marcius Simons, ‘City’ of “Ophir?” v7 
Davids PRES OT Laas ve eco etaceleit 


104—Chase, ‘“‘Carmencita;’’ aa AS Lauthier. 

105—Kray, “‘Psyche;’’ G. H. B. Mitchell.. 
106—Leloir, eek S Festival ; Stuy ys A. 
Lanthie ats : Sarptnueeael 
107-—-Lefebvre, “Pandora: “Simon Uhl- 
mann eer r e+ Ger eee hoeer weer ee re eee eese 


otal’ .'. 0. Mma mn Ue ie 8 poe dab S80 OS 
The painde that brought $3,600 was 


Wate 


a 3] 
2 


\ ; , 
heen 


\ 


eco 


+O ¢ 
1as 


} 


Arabian Horseman ;” 


fendelssohn Hall | 164—V. Pate ““Gattie:” J, Benabow.. 600 
[ed VA ert, *‘New. Bubject;” A. Tooth & “ 
ons " Bee 975 
“Roaming ;” ‘A. Be. Fi ower 1,000 
eth ‘aim ft oe acm, “first Lesson; 8,-Uhl- ae 
enue Bele: 168—Deh iY, casera Wooriaes hices oes 
ai ao ‘total , of 169—Du pre, ‘Le ee Chas. A. Schie- peal 
fevoment me art T0—cagin, HE) Mtoe “Town? Scott’ & ; al 
erest. 0 ely 171 Dias, “Forest: Scott & neti? 7,000 
yut they were | ered) ‘Landscape and Cutties. ai 
x wipe pease cans oo a ees q a 
4 e ans——no ar ae bee etek. 5 eile te tet ele ter fo MY 
ion. that was made eat jeg 5 Stunner de aay a a 
as. T00, artificial. Coe My 1,700! 
15 Class, ‘Marine,’ A “Laluthier. . 875, 
176-——Isabey, - “Bringing Wounded,” Fi. ah 
Buy er. ge RUS Weave allal v igiecg, Sele! Ra 1,025. 
4 den. . fight. * WwW. W, Fuller. . 210 
as”? “Max E. sana Lia can a Wie 
Rin is ase 
495 pei wis “onal U8, ra 
560 tt & Fowles za ile 850 
181—Delpy bf Hillside,” AL Kerls..... 210 
182— rtist.’’ David Heller. ...... 525, 
jolland Coast,’? Scott 
Ria ake otc Ui ereiamatas ae 1,800: 
Bouveret, ‘Head,’ ? Sameul & 450 
ishing Nets?’ i: aa, 
f PE Oss ip acces EAs ae 
ee enice ;’ * "Andrew Freedman. .) 1,700. 
ert, “Bookworm,” ;' Ww. W. Fuller... 4,000; 
oi 188—-Royl “Gentinel;’ A. B. Cohen... + 6Q0, 
108 189-—Tro3 eee Home,” Morris ea 
i | 38°) 190 —Boudin, Beperviiey “WW. "Bee 
4 Po ee (Ceca 150 stan ada e 4a 8 sees eese 1,225 
acque, ‘1 er) Simon wee: abe 250 191—Gorot, “ge Crawfish” W. W. a 
—Jacquet, * ea dv’ A. B OX ee ety iteenee 192--Volion ras ent unl F 2,100 
es rae Ste — ; mile Frankel. Bg Vie 220 
e as and Card ih ok ere i Le ‘Nymobs Bathing; Andrew 
a; jon Ven etl eee eiiteer DTU 104" elie “Landicabey).:) cscs icctce ) oReR 
hy ead: » WW. E muller. Foarcn 700, pg Sa eee tng a A Jchow 5,20€ 
464 ‘i — enburg, ome ; ani ter. 625 
tien pei. ‘on. Lagoor Pa SB. 325 | 1o7—Haauetie, ‘Launching ;” award Be. vey 
2 46 1? 4 ec, See rae eee ee GU 
a ere a ioe i po | 198—Vibert, ete,’ ATE Fan; George a ‘ od 
aj «e ” SSIES sa cele: aieikiele 5.5 8 la eleva. eels mie ,S80C 
“aa atone, ae ALT footh 600 Mion “thy eis, tt Fan?” George A. pe 
4 4-3 uD, onaltr ? R. Flower. 620 Haphieaiats @argie aia yore Bhp 6,206 
5 2c Hae any! postin Seti ue S60 2 200—tigshiild, et ‘GAyt Fans? ’ George ae 
; aris,“ Auyder Zee;" George V-"  400| 201—Lelsir, “ete. “Art Fan;” ‘George AL) 
131—Cazin, *Tandscs oF We  % Clark... 1,500 Kessler os, wetter teat es ee ees 3,100 
138—Henr “Mi summer ;” ( “Andrew Ws A ty ee ete, “Art Fan; “George A. Keane 
a iC Vastist “Cardinal; oe “Tooth & 5 an ee, “Pare des Moutons: 2" Judge pe 
tae “Enteriot 2? Mis, M, Roos. . ° 160 204—Haton, {Shiawassee River; J. Oppen- a 
a>) os er, wee elec we mew eet eer ee eee ee He eh $8 ' 
ae 205-—Daubiany, “Barly Morning;” D. A. a 
"es Te ETB Aa ge a ae a eg TS 2 
ie 206—Van pols “Corpus Delicti;’”’ BP, 
Uy dike seta" fei vib ag Bie aaa sedis. seaze © BIB}. Doeser’ & Coy. ee ee ee eee AB0 
pra ee After Bail? vi Hy oy Ful- a 207-—Cant Marr, “Bence and War; ——— 00 
ai pls) DET De leat ca Whe OR | 
eve aag “Skirmish } “a Max E. Bem: ‘ ne Total os esas vhwec rs nee Side t Weis, . .$119,605 
“ead”? Kir ape on aaah 3g 5 The spectators were numerous. The ha- 
, 2 
| 4z—Bihtenanet, faeed token ss 200 }»itual and the occasional were there. Among 


FPP Ue ee he LR ed a LD Ae ob 


151—Gerome, \ Toei 2? 3" 'Nndrew Freed- 
152—-Class, eae’ Quay}” "Eouis’ Bam- he 
i63—Neuville. “igentinel? Julius Ochme., 700 
154—Henner, “Head ; > Gharles A. Mia et de 700 
155—Casanova, * ‘Good Story; 7? R. A. Rainey 460, 
}156—Vibert, “Cardinal ;”’ A. Tooth “& Sons 520 
15T—Vantin-Latour, Garnations;”’ W. A. 


925 (" ished. 


PR Typ ucts sing cio mewi4 Bees Pail ork 875 
159—Heoner, Andromeda ;”’ A. Ri Flower, 1/450 
4e8_Henner, kd Asleep ;”’ Tardive Orall . 2. vy. 525 


160—Daubigny, “Country Road;!? P, Br. ig 
161—Vollon, “Still. Vite: Tooth & Bons.. 425 
‘Schreyer, “‘ i oorish florseman; aoe Sh pa ih 
Booth & - TTR LU ee 975 


Se Wi 1 Y are 22! 


Sainann 220 the former, in the front rows of seats, one 
149—Vollon, “Still Life;”’ Tooth ¢ Sons... 550 |looked instinctively for the silver hair and 
150—Casanova, “Gourmand ;” Cc. Ful- ithe smiling eyes of Alexander Blumenstiel 

akties 250/who has gone, waose work in art is abol 


PICTURES SELL FOR $50,505. 


‘Total of First Night from the Blumenstiel 


Collection. | 


| At: the first evening’sysale of modern paintings, 
leollected by the late, Alexander Blumenstiel, at) 
| 


\Mendelssohn Hall, "$50,505 was realized for 107 pict-| 
lures. There was»-a large attendance and lively) 
bidding. The Sale was conducted by Thomas Ei 
i\Kirby, and will be ended this evening. 
The highést price reached was $3,600, for “Land-_ 
scape and Cattle,” by Marie Dieterle, which was 
bought by D. V. Dula. The first bid was $1,000 
Mr. Dula also bought ‘“‘Rio Santa Marina,” by Mar- 
tin Rico, for $1,450. / 
Starting at $500, there was a spirited contest over 


“The Brook,” by Cazin, which was knocked down | 


to Mrs. Woerishoefer ad... $2,250. John F. Carroll 
bought for $1,300 “Calm Near Rotterdam,” by Paul 
Jean Clays; for $800, “In the Harbor,” by Boudin; | 
for $620, “Cat and Kittens,” by Lambert, and for) 
$376, “Information,” by Francois Flameng. 

“Market Scene at “Constantinople,” by Pasini, | 
went to *‘Bernett,’’ for,.$2,150; ‘Industry,” by Blom-j| | 
mers, to Myer H. man, for $1,200, and “The 


$1,000 

For $1,075 EF. A. Chapman obtained 
tinel,” by Gerome, which was presented to the, 
owner. “Flowers and Fruit,’’ by Antoine Vollon, | 


was knocked down to Hugene Glaenzer & Co. for | 


$1,100, and ‘‘A Swiss Scene,” by Courbet, to F. A. | 
Chapman for $1,000 

“The Spanish Fortune Teller,” starting at $500>. 
was sold to H. D. Babcock for 91,000, and ‘“The) 
Sentinel at the Sultan’s Tomb,’ by Gerome, start- 
Ing at $1,000, went to H. B. Smith for $1,0%. W. W. 
Fuller. obtained ‘‘Harvest,’’ by Jules. Dupré, for | 
11,07, and Thomas F. Manning bought “Maternal | 
Affection,’ by Perrault, for $1,500. ‘*Pandora,”’ bel 
Lefebvre, was sold to S. Ulimann for $1,100, and | 
“The City of Ophir,”’ by-P. Marcus Simons, to D. 
Heller for $1,226. 

A. Augustus Healy . obtained ‘Fishing,’ by | 
Kaemmerer, for $325, and ‘‘Mother and Child, 8 by | 
Hdouard Frére, for $225. 

Other sales were: 

W. ow. Fuller, 


| 
EK. Berne- | 


Atm ow eR aha ee ees eee rae 


SRO e 6a ENO a OO: ee Bie \eiel die W 6 6 m/e) eae ace. sale 


tA eee SRV Oe SACS RR ee oie Ae BN GS Lb iy ig iw ee alee & ar elie) 


- @; Vose, On the Shore, Louis Eugén : | 
‘Springer,’*. The Surf, Gustave Cour f. Bouin B80. 
V. W. Fuller, A French Villge, Henri Lerolle. 625 
“perrault ss. The Grape ‘Gather er,, Léon Bazile 


OE A Eh es OE RUS OOO Ri a6 le 4h 0)! a id meg: #0 ae Wecenete 


_ well known artist, and 
itself. The five fans present examples of the work 
“éf all ‘the modern foreign and American schools. 
‘On the fan that bro 


‘Ludwig Knaus, and 


cine for. ee aap as te by Fe tag 


'Luchow for $5,200, and EN ace 
| ¢ 


to W. W. Fuller for $4,000, 
sain, fo ae A, Clae Ey mente 
azin, for “Car 

| | our, . for sein Sears ag Charles 


| tained for $750 “Landscape.” by Dup 


| Bénerville," 


Art Fan toe to George A. E 
for ened! 


A large atténdance ant 
second and last evenir sale or 
tion of modern pai ‘Ss, water colors 
ings of the late aoe Blumensti: 
delssohn Hall. sale, which was condue@t 
Thomas. EB. ced ‘realized $119,606, of which $43,800 
was paid by rge A. Kessler for five. i aa peel ; 
The total receipts for the two ovenien e 
were $170,110. DY hoy hey 

The highest figure of cthe evening.’ was “$12,600, | 
which was paid by Mr. Kessler for one of the “art: 
fans.’ Hach blade of e fans is painted by a 
s a complete picture in 


it $12,600 is a picture in a 


semi-circle, ‘Children Gathering Flowers,” — 


the twenty or more blades 
are paintings by Carolus Duran, Fantin-Lat * 


-Beraud, Dupré, Ziem and other artists. 
Cabaret,”” by José Domingo, to Scott & Fowles, for | 


The bidding on this fan started at $3,000, leaped 


in one bid from $7,000 to $10,000, and finally. was 
“The Sen- | 


knocked down to Mr. Kessler, who had previously 
obtained the other fans at $8,800, $8,100, $6,200 and 
$8,100, respectively. Applause greeted these prices. 

The highest figure reached for a painting was 


obtained for $1,800 
for $1,700, “Sunset. in Walioe."? by n; for $925 
“The Caravan,’’ by Gérome, and se 79, ““Midsum- 
mer,’ by Henner. sh AMaete Canta tin 

by Dia 


“In the: Forest,’’ z, went oan a 
for $7,600; “Watering the aber by | ué, 
Sm Oy Vee 


$700 ‘‘Head,”’ by Henner. Judge fruax b 
$1,800 ‘‘Le, Pare des Moutons, by Daub 
Augustus Healy obtained ‘A ‘Summer's | 
| Eee, for $1,700 


Andromeda,” by Henner, went to A. R. 
for $1,450, aa did Milgoanieie! ’ by Rosa Bon 
Ww. eaman, agent, nd “La, 


one for $2,100, and. 


Crawfish, Hed by 
e Boudin, ain $1,2 


x 


NM VY Wert 4. Fel AN OG 
SALES AT AUCTION. SALES AT AUCTION. 


To-Night at 8:15 
AT MENDELSSOHN HALL 


(Fortieth Street, East of Broadway), / 


at Unrestricted Public Sale by order of Executors, 
CONCLUDING TO-MORROW. NIGHT JAT| THE SAME HOUR 


The Private Collection of the Late 
ALEXANDER BLUMENSTIEL 
Modern Paintings 


: Water Colors and Drawings 
| pt eee ‘ : and 


| vie The Remarkable Art Fans 
| “Each a Miniature Gallery of Modern Masters.” 
On Free View To-Day from 9 Until 3 o’Clock 


| At the American Art Galleries, 


- Madison Square South. 
| (he Sale Will Be Conducted by Mr. Thomas E., Kirby, of 


The American Art Association, Managers, 
6 East 23d Street, Madison Square South, New York. 


TA tee 


nari? ae 


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" : a BIBS ak A oo oases hie eee mirle se} Se he Oe TE 


teeeecrrcosesUSUNIGUIUURC SIP Yoinp unsiy, 
es nie, aes we Udo IIE) 


‘ q PR aN : 
2 SRE “say U9 9ST , OJLOFEIO Li Ge OTT teres steelecees eosetes ody AIIOYUO,, 
qae0u0g ‘10010 ane Borie reeies che" BuyoVvid 4% f ; nes ee ee ‘uaq OfU O18D 
if ! De ee tte eesteee seats sanitary sostqnels up 


& s 


oe 


Ce’ 
Viel 


ON FREE VIEW 
DAY AND EVENING 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


FROM SATURDAY, FEBRUARY 10ru 
UNTIL THE MORNING OF THE DAY 
OF SALE, INCLUSIVE 


MODERN PAINTINGS 


COLLECTED BY THE LATE 


ALEXANDER BLUMENSTIEL 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
BY ORDER OF HIS EXECUTORS 


AT MENDELSSOHN HALL 


FORTIETH STREET, EAST OF BROADWAY 


ON THURSDAY AND FRIDAY EVENINGS 
FEBRUARY 15rH anp 16TH 


BEGINNING PROMPTLY AT 8.15 O'CLOCK 


ILLUSTRATED CATALOGUE 


OF THE 


PRIVATE COLLECTION 


OF 


MODERN PAINTINGS 


WATER COLORS. AND DRAWINGS 


COLLECTED BY THE LATE 


ALEXANDER BLUMENSTIEL 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
BY ORDER OF HIS EXECUTORS 


AT MENDELSSOHN HALL 


FORTIETH STREET, EAST OF BROADWAY 


ON THE DATES HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 
THOMAS E. KIRBY 
OF THE AMERICAN ART ASSOCIATION, MANAGERS 
NEW YORK: 1906 


Press of J. J. Little & Co. 
Astor Place, New York 


. 


ATALOGUE 


~ 


FIRST EVENING’S SALE 


THURSDAY, FEBRUARY 15, 1906 


AT MENDELSSOHN HALL 


BEGINNING PROMPTLY AT 8.15 oO’cLOCK 


DRAWINGS 


No. 1 


ADOLPH MENZEL 


GERMAN 
1815—1905 


fia 
SKETCHES ohne Yo har, 


Pencil Drawing 


Tue face of an old man, the head and shoulders of a young 


man and a young woman, and an ear nearly life size. 


Signed at the lower right, Menzer, A. M. 797. 


Height, 7/, inches; width, 4°, inches. 


No. 2 


ADOLPH MENZEL 
FO ea GERMAN 


Nous VEE a 1815—1905 
THREE HEADS 


Drawing 


A stupy of three heads in stump and crayon, the two lower 
ones showing pleasing types of young ladies in hats and gar- 
ments of modern fashion, and above them, partly concealed by 
the face and hat of the young lady on the right, is the head 
of a youth. 


Signed at the upper right, B. MENZEL. 
Height, 8 inches; width, 5 inches. 


No. 8 


eae, AC ALPHONSE MARIE DE NEUVILLE 
3 FRENCH 


i 1836—1885 
G forete 
MARCHING ACROSS THE DESERT 


Drawing 


A sketTcH, partly in pencil and partly in ink, of an Arab 


: expedition with many horsemen and riders on camels, proceed- 
ing in irregular formation across the desert. 
: ‘ 


Signed at the lower left, A. p—E NEUVILLE. 


Height, 5 inches; length, 8 inches. 


No. 4 


MLLE. ROSA BONHEUR 


FRENCH 
1822—1899 2 are 


CATTLE Marea Me 
Drawing 


A pRAwine of cows-and a calf in a broad level pasture. Two 
cows are lying down on either side of a third which stands 
near her young calf. 


Signed at the lower right, Rosa B. 
Height, 8 inches; length, 114% inches. 


No. 5 


ISAAC ISRAELS 


DUTCH 
1824— 


ec Ba ee 


ios TALE eA 
STREET SCENE 


Pencil Drawing 


In the right foreground is suggested the figure of a market 
woman with a white apron over a black dress. Beyond her is 
a crowd of people walking along the street, and on the left a 
view of a sunlit facade. 


Signed at the lower left, Issac IsraEts. 


Height, 41, inches; length, 6 inches. 


No. 6 


Oat 4 ie MLLE. ROSA BONHEUR 
| | FRENCH 
M.- N AsO, 1822—1899 
SKETCHES 
Drawings 


Four pencil sketches in one frame. The upper one shows 
various studies of figures, a large farm wagon, evidently 
sketches for a picture, representing cider making. On the lower 
left of the sheet is pasted a composition showing a shepherd 
leading a flock of sheep across an open pasture. Not signed. 


Height, 914 inches; length, 15%4 inches. 


The drawing at the lower left is a pencil sketch of a farmyard 
with a wagon load of hay drawn by a yoke of oxen, and various 
cattle and laborers at rest on either side. 


Signed at the lower right, Rosa B. 
Height, 444 inches; length, 9 inches. 


The sheet at the lower right shows a cart horse feeding out 
of a nosebag. 3 


Signed at the lower right, Rosa B. 


Height, 5 inches; length, 6 inches. 


No. 7 
JEAN LEON GEROME 6S 
FRENCH 


1824—1904 Pape oe TE Aas 


DRAWING IN RED CHALK 

Drawings 
THis is a study in red chalk of the full-length figure of a young 
woman in the costume of the Far East, reclining at full length 
on the floor, supporting her shoulders on soft cushions. Her 
head rests upon her right hand, and her left, extending along 


her side, holds an oval mirror. 


Signed at the lower right, J. L. GéRomE. 
Height, 7 inches; length, 14 inches. 


69 — 
Ae 


No. 8 


‘“MLLE. ROSA BONHEUR 


FRENCH 
1822—1899 


SKETCHES 


Drawings 
Four leaves from the notebook with sketches of lions. The 
smallést shows a lioness walking along, the next two lions’ heads, 
the third four male lions lying together, and the largest a 


lion and lioness sleeping. 


Lioness. 


Signed at the lower left, Rosa B. 
Height, 41%, inches; length, 5 inches. 


Lions’ heads. 


Signed at the lower right, Rosa B. 
Height, 4 inches; length, 43/4 inches. 


Four lions lying down. 


Unsigned. 
Height, 6 inches; length, 91, inches. 


Lion and mate lying down. 


Signed at the lower left, Rosa BONHEUR. 
Height, 8 inches; length, 1434 inches. 


Lf O 


tours EUGENE BOUDIN 
FRENCH 


N 


Sy Marvy Je. Sette 


ris. wae ; ; 
A grassy, ctten in the fee ptoand are two cows, one 


a dine. tite other lying down. Ber ad them is a view across 


oe at the lower right, a Boupriees8, ; 
. Height, 7 inches; length, 11 inches. 


No. 10 


LOUIS EUGENE BOUDIN 
Lele 
. FRENCH 


Jor. Sfrge/ | 1824—1898 


SEA AND SKY 
Pastel 


Tis is a study of the Channel on a summer’s day, with large 
cumuli lazily floating in the quiet air, and in the foreground 
the sea gently breaking upon a shallow shore. 


Signed at the lower left, EK. B. 
Height, 7 inches; length, 10% inches. . 


| No. 11 
SAB: a 
HAA Meaky 


LANDSCAPE 


F. GABRIEL 


Water Color 


A NuMBER Of thatched hovels are grouped together near a rank 
of tall trees, under which, in the right of the composition, 
passes a country road. The light in the sky is concentrated 
near the horizon, and the soft clouds are tinged with rosy even- 
ing light. 


Signed at the lower left, Garter F. 


Height. 9 inches; length. 131%, inches. 


No. 12 


E. ESBENS ~ AO ae 
GERMAN 


AT THE PALACE GATE ae ua 


Water Color 
Tus is the figure of a Turkish messenger who has brought to 
the palace door a large branch of palm which he has leaned 
against the corner of the wall. He is dressed in a white turban 
‘over a red fez, a pink-striped blouse with a black and white 
jacket, and full brown trousers. 


Signed at the lower right, K. Espens. 


e 


Height, 1114, inches; width, 8 inches. 


No. 13 


ALBERT LYNCH OE 


FRENCH k \ 
1851— oa “ Netaners beeped 
A DRAWING-ROOM ENTERTAINMENT 
Water Color 
On a temporary platform, erected in a large drawing-room, a 
_ pierrot is serenading, with a guitar, a young lady who, perched 
on a chair, looks through an opening in the top of a screen. 


Behind the pierrot is a large attendance of ladies and gentle- 
men, some seated and some standing. 


Signed at the lower right, Avnerv LYNCH. 


Height, 16 inches; width, 11 inches. 


No. 14 


LOUIS EUGENE BOUDIN 
of FRENCH 


1824—1898 
A BRETON INTERIOR 
Water Color 


A sketcu, partly in monochrome and partly in pencil, of the 
seated figure of a peasant woman in a simple Brittany interior. 
In the background various articles of domestic furniture are 
suggested, and on the left of the figure, which is strongly 
illuminated by a window, is a heavy table. | 


Signed at the lower left, EK. B. 


Height, 51% inches; length, 7 wmcehes. 


No. 15 


(Hee ALBERT LYNCH 
FRENCH 
Hw: Ylrcteleck od iss 
AN EVENING CALL 
Water Color 


A youne lady and a young girl are seated near a large lamp, 
the latter attentively engaged in sewing on a white garment, 
the other welcoming with a smile two gentlemen in evening 
dress who are entering the room beneath a heavy portiére. 


Signed at the lower right, AtBert LyNcH. 


Height, 151% inches; width, 101% inches. 


No. 16 


H. P. ARNTZENIUS oe 
DUTCH 


Contemporary ea Ceceeregee 


Water Color 


STREET SCENE 


Tue motive of this picture is undoubtedly found in the Latin 
quarter where the narrow streets are thronged with foot pas- 
sengers and where every manner of Parisian is seen. In the 
right foreground is a baker’s boy carrying a large basket, and 
beyond him are various types, from the laboring man in blue 
blouse to the boulevardier in tall hat accompanied by a young 
lady. Between the high facades on either side of the street is 
seen at the top of the picture a portion of luminous gray sky. 


Signed at the lower right, WP ArntTzENtvs. 


Height, 191%, inches; width, 15 inches. 


cient 


— OIL. PAINTINGS | 


ss a) 


; No. Mi 
BO 7) Brae 


a 
T 
ito 


2 and di isappears among the meadows. Beanie of its course 
are s seen along a line of low bluffs in the middle distance. The 


at 


Zon. is geotmed by a range - of wooded hills, and the sky is 


gned at t the lower ane L. Simon. 


Height, 6 inches; length, 91% inches. 


foo — 


Cotehe 


No. 18 


LOUIS EMILE ADAN 
FRENCH 


LG te — 


THE SLY BUTLER 


A MIDDLE-aGED butler in ornate livery of red velvet, trimmed 
with blue galloon, is taking his ease in an armchair, and is rais- 
ing to his lips a partly emptied bottle which he has taken from 
a table at his elbow. Through a partly opened door at the back 
behind the butler appears the face of the mistress of the house | 
bearing an expression of pained surprise. 


Signed at the lower right, L. Emre ApAN. 


Height, 141%, inches; width, 10 inches. 


No. 19 


fv E. ESBENS 


Se Brews GERMAN 


THE PALACE GUARD 


A DARK-SKINNED Arab, in flowing yellow, white and red gar- 
ments, is seated upon a rough stone step at the entrance to a 
Moorish palace, his ornamented flintlock gun resting in an 
angle of the wall. On the right of the figure is a wooden gate- 
way, through which is a glimpse of the blue sky and a sunlit 
wall. 


Signed at the lower right, E. Espens. 
Height, 101, inches; width, 8 inches. 


No. 20 


ANTONIO TAMBURINI Je ae 
ITALIAN 


Be) hutmhe 


THREADING THE NEEDLE 


Aw old Dominican monk, seated at a table on which lies an 
umbrella with its covering out of repair, endeavors to thread a 
needle, holding it up with both hands against the light. He is 
looking over the tops of his clumsy spectacles, and, with wide- 
open mouth, holds his breath lest his fingers should shake at 
the critical moment. 


Signed at the upper left, A. TamBuRIN1I, FLORENCE. 


Height, 14 inches; width, 11 inches. 


No. 21 


i ee 


ANTONIO CASANOVA Y ESTORACH 2/°C-— : 


SPANISH VE 
ey eee. 


HEAD 


Tus is a study of an old Franciscan monk who sits with head 
somewhat lowered, apparently about to eat some hot food. The 
head is carried far toward completion, but the rest of the pic- 
ture is only sketched, showing well the method of the artist. 


Inscribed at the left, Vente Antonio Casanova ¥ EsToracn. 


Height, 15 inches ; width, 12 inches. 


No v22 


is NO JAMES M.. HART, N.A. 
Ghae AMERICAN 
1828—1901 
SUMMER 


A BRroaD, placid stream flows diagonally across the picture, and 
in it various cattle are standing, some drinking, others cooling 
themselves in the water. On the right a clump of trees rises 
from a low grassy bank. Across the river in the middle distance 
is a parklike meadow, with scattered trees and cattle browsing 
on the grass and standing in the shallows. The sky is partly 
covered by loosely drifting summer clouds. 


Signed at the lower right, James M. Harr. 


Height, 21 inches; width, 16 inches. 


No. 23 
2 A LEONARD OCHTMAN 
AMERICAN 
ees Ua berge/ 1854— 


LANDSCAPE 


A Low, grassy meadow stretches across the foreground and 
gently slopes down to the shore of a quiet inlet. On the right, 
beyond the meadow, stand two simple buildings surrounded by 
trees, and farther away, following the indented shore-line, the 
eye is carried to a large village at the mouth of the inlet, beyond 
which is visible an expanse of the sea. 


Signed at the lower left, Leonarp OcuHtMAN, ’93. 


Height, 16 inches; length, 22 inches. 


No. 24 


M. COULAND LOO 
FRENCH 


Contemporary / Spd FAs 


Iy the foreground a number of sheep are drinking out of a 
tub which stands in a barnyard adjoining a small farmhouse. 
The group is in strong sunlight falling from the upper right, 
and beyond them is seen, in the luminous shadow, a peasant 
woman feeding a number of sheep with freshly cut grass. The 
_ roof of the farmhouse and the open shed adjoining rise nearly 
to the top of the picture. 


THE BARNYARD 


Signed at the lower right, M. Coutann, 1902. 
Height, 211, inches; width, 18 inches. 


No. 25 


CARLETON WIGGINS, N.A. ya (0 =e 
AMERICAN 


1848— Gi . VE Vee. 


THE AFTER GLOW 


A stncte black and white spotted cow stands in the foreground 
on the slope of a rich pasture, and beyond her is a view across 
a wide and well-wooded country toward the distant horizon, 
where the sky line is lost in a veil of mist. The upper segment 
of the full moon shows through the clouds beyond the cow, 
and the whole landscape is glowing with the light of late sunset 


Signed at the lower left, CarteTON WIGGINS. 
Height, 22 inches; width, 18% inches. 


No. 26 


i M. TEN KATE 


DUTCH 


Be es fJaberge 1831— 


CHILDREN AT PLAY 


oa Turee children, a boy and two girls, are playing with rabbits 
in the corner of a cottage yard. Grouped around the smallest 
child, who is seated on the ground, are half a dozen of the pet 
animals, one of which she is fondling. On the right a rustic 
fence separates the yard from a garden beyond. 


Signed at the lower right, M. TEN Kare. 
Height, 16 inches; length, 24 inches. 


No. 27 
i JEAN BAPTISTE ROBIE 
BN ‘ FRENCH 
4 tT, Baer 1821— 


ROSES 


| Tuts is a study of three deep pink roses seen in a strong light 
\ against a dull gray background. 


Signed at the lower left, 20 mat, 1874, J. Ros. 
Height, 81, inches; length, 111% inches. 


Ee ee 


No. 28 


LOUIS EUGENE BOUDIN {Ore 
FRENCH 


1824—1898 Ves Pot Pua. 


LANDSCAPE 


Tuis is a sketch of a marsh along the sea. An irregular shore- 
line, broken by small bunches of reeds and small grassy points, 
sweeps away from the foreground to the distance where there 
is a suggestion of low hills forming the horizon. In the right 
foreground is a small area of rough marsh, and beyond it, in 
the water, a pile and pieces of floating timber. 


Signed at the lower left, E. B. 
Height, 8 inches; length, 12 inches. 


No. 29 


MLLE. ROSA BONHEUR Soe 
FRENCH 


18221899 he pore Wh 


A BLACK SHEEP 


Tus is a study of a full-grown sheep with black face and legs, 
short backward curling horns, and moderately heavy wool, dun 
brown in color. The sunlight strikes strongly upon the animal 
from the upper left, throwing a deep shadow on the grass 
against which the figure is relieved. 


Signed at the lower right, Rosa BonHeEvr. 
Height, 8 inches; length, 11 inches. 


No. 30 


Jb eae HENRI HARPIGNIES 
il & ee FRENCH 
(Ee yi : 1819— 
SPRINGTIME _ 


In the foreground a lover and his lass recline under a tall, 
slender tree, and beyond them is a pleasant sunlit valley, wind- 
ing down to the distance between partially wooded slopes. 


Signed at the lower left, H. Harpientes, ’74. 


Height, 6 inches; width, 31% inches. 


No. 31 


2 Be IVAN POKITONOW 
c RUSSIAN 


Vad VEL Contemporary . 


THE GARDENERS 


In the foreground is seated a gardener dressed in white, and 
beside him stand two well-filled flower pots. Nearby is a small 
boy, bearing a basket on his head, evidently receiving orders 
from the gardener. Between the two figures leads a sandy path, 
with various turnings, to an arched gateway in the distance. 
Beyond straggling clumps of fruit trees in the middle distance 
on the left is the facade of a solitary building, and just beyond. 
the two figures on the edges of the path stands a two-wheeled 
cart with poultry resting in the shadow. 


Signed at the lower right, I. Poxrronow. 


Height, 64, inches; length, 10 inches. 


No. 82 


E. BERNE-BELLECOUR RO 
FRENCH 


1838— YW. VU Geller 


SOLDIER WITH FLOWERS 


A Frencu infantryman in full uniform, with sabre by his side, 
having plucked a large bunch of wild flowers, is busily engaged 
in tying the bunch together. He stands in a grassy field near 
a village, the roofs of which are seen just beyond him. 


Signed at the lower left, E. Berne-Bextecovr. 


Height, 151%, inches; width, 111%, inches. 


ING OO 


ANTONIO CASANOVA Y ESTORACH SIO fac 
SPANISH 


Two monks, who find duty very pleasant in the kitchen, are 
engaged in roasting a leg of mutton in a Dutch oven. One of 
them winds up the clockwork which revolves the spit and the 
other is tasting the gravy. 


Signed at the upper left, ANvonto Casanova Y Esroracu, Paris, 1896. 


Height, 13 inches; length, 16 inches. 


No. 34 


She Ee JEAN BAPTISTE ROBIE 


BOT, 


ie. ' FRENCH 
BU Bt 1821 
FLOWERS 


A suncu of large roses, yellow, salmon pink and red, are 
thrown carelessly down upon the grass, and, strongly lighted 
from the upper left, contrast with the indefinite green of the 
landscape beyond. 


Signed at the lower right, J. Rosi, 1884. 
Height, 16 inches; width, 13 inches. 


No. 35 


WY, ae a JEAN LEON GEROME 


FRENCH 


Ge A. age 1824—1904 


‘THE SENTINEL | 


Aw Albanian, in full native‘costume, stands near the doorway 
of what is apparently a guard-house. He wears a salmon pink 
jacket, a white fustanella and green sash, and carries two 
pistols and a yataghan in his broad leather belt. In the gloom 
of the interior, on the right of the figure, is seen a companion 
similarly dressed, who is conversing with two men, apparently 
prisoners. | 


Signed at the lower left, J. L. Gérome. 
Inscribed at the wpper left, a Mr. Brumenstiet, J. L. GeRome. 

Height, 121%, inches; length, 1534 inches. 
Presented by M. Gérome to the late owner. 


No. 36 


ETIENNE ADOLPHE PIOT Ce 
FRENCH 


Contemporary des AO Hoe ter 
HEAD 


A Fut life-size study of a dark-haired maiden seen in profil 
perdu, with head upraised and eyes turned in the same direc- 
tion. Her bust is partly draped with a diaphanous mantle, and 
in her raised right hand she clasps a few roses to her bosom. 


Signed at the left, A. Pior. 
Height, 15 inches; length, 18 inches. 


From the Artist. 


No. 87 


JEAN FRANCOIS RAFFAELLI DES OA as 
PRN eb Mamtoger 


AFTER A WALK 7 pee 


A weELL-To-po middle-class Frenchman is seated on a rude 
wooden bench near the borders of a stream, holding in his 
hands a newspaper which he has just finished reading. Beyond 
the figure and across the stream is a pleasant grove of trees, 
with the suggestion of a residence among them, and on the 
right a skiff with a single fisherman. 


Signed at the lower right, J. F. Rarraettt. 
Height, 12 inches; length, 18 inches. 


‘No. 38 


hy SE HIPPOLYTE CAMILLE DELPY 
FRENCH 
4 - G.| WY Lrtae Contemporary 
LANDSCAPE 


In the foreground, on the low, erassy shore of a broad river, 
a group of women are engaged in washing clothes. In the mid- 
dle distance on the right is a small village partly surrounded 
by trees, with an old stone keep and a simple, lofty church 
with a belfry. On the left, across the stream, poplars and other 
trees grow upon the shore, and beyond them is a line of low, 
cultivated hills forming the horizon. Masses of warm-colored 
clouds drift across the sky near the horizon and float high in 
the heavens. 


Signed at the lower right, H. C. Derry, 798. 
Height, 1714 inches; length, 28 inches. 


No. 39 


BAREND CORNELIS KOEKKOEK  @*¢7 — 
DUTCH 


1803—1862 Y/ a Y/, pow 


SKATING SCENE. 


From the right foreground a frozen stream stretches away to 
the distance. On the right are a few cottages dominated by a 
steep-roofed circular tower, and on the left a clump of leafless 
trees growing among the underbrush on the bank of the stream. 
The surface of the ice is busy with skaters, and a few way- 
farers proceed along a road on the left bank of the stream. 
Cumulus clouds float high in the sky, their edges touched by a 
soft winter sunlight. 


Signed at the lower right, RK 1849. 
Height, 221/, inches; length, 29 inches. 


No. 40 


270 a HIPPOLYTE CAMILLE DELPY 
FRENCH 


AN Wess aaee ee Contemporary 
THE BACKWATER 


From the left foreground a backwater extends to the right 
under tall, slender trees, and forms a branch of the river which 
is seen in a shimmering expanse on the left. A number of fish- 
ing boats are moored to the banks of the backwater. Near a 
clump of trees in the middle of the composition a single fisher- 
man is standing up in his boat ready to cast his line. A few 
clouds, their edges touched by the sunset glow, drift across 
the sky. | 
Signed at the lower right, H. C. DE.py. 

Height, 161, inches; length, 291% inches. 


No. 41 


260 — 
ADOLF ECHTLER 


Contemporary 


THE REPENTANT SINNER 


A MAIDEN and her lover have been strolling in the woods and 
are discovered there by a party of three Franciscan monks, 
the foremost of whom stands near the youth apparently reading 
him a severe lecture. The maiden is seated on the grass, hanging 
her head shamefacedly. A small area of luminous sky is seen 
at the top of the picture and some birds flutter about among 
the tree tops. 

Signed at the lower left, Ap. EcHTiER, Parts. 

Height, 25 inches; width, 18 inches. 


No. 42 


>. 


ANTOINE VOLLON VARS Fo 


FRENCH 


1833—1890 & Vice mee 


FLOWERS AND FRUIT 


Rep and white roses, in a coarse earthen jar with a handle 
at the top, are in strong light against a background of deep- 
colored foliage. On the table nearby are cherries, plums and 
pruning shears. The fruit and flowers are natural size and are 
strongly lighted from the upper left. 


Signed at the lower left, A. Vouon. 
Height, 1914, inches; length, 231 inches. 


No. 43 


hb oe ji FRITZ THAULOW 


XT 


: NORWEGIAN 
Ge Pe Lk els: 


GREEN-HOUSES 


Tuis is a study of a nursery establishment somewhere in the 
vicinity of a large town. In the foreground are beds of pansies 
and other flowers and a clump of rose trees in blossom. In the 
middle distance is an irregular group of glass houses with 
forcing beds alongside, and beyond is seen a wooded hillside 
with various red-roofed buildings, smoking chimneys and 
church towers. 

Signed_at the lower right, Frirz THauLow. 


Height, 211% inches; length, 29 inches. 


No. 44 
. ofe2€— RICHARD WILSON 
y ENGLISH 
: — od od iv 
1714—1782 y ! 
Lotierife [Ae 


ae 4 
ENGLISH LANDSCAPE , eae 


Tur composition is classical in aspect and shows a grassy bank 
in the foreground stretching away to the left, where it meets 
the foot of a crag on which are perched the buildings of a 
large town. Two figures form a prominent object in the fore- 
ground, one seated and one standing. Across a broad lake are 
seen wooded hillsides crowned with villas, and, in the remote 
distance, a symmetrical mountain peak rising against a quiet 
summer sky, across which are drifting clouds of smoke or 
steam, which rise from the valley just beyond the water. 


Height, 161/, inches; length, 21 inches. 


JULES WORMS 
TO O 
FRENCH | ul | 


es bf eh 


. 7 
LE POURBOIRE Wa wn 


A TRAVELLER, who is just about to leave the inn where he has 
been sojourning, is beset by a housemaid and a porter, each of 
whom holds out an eager hand. A gayly caparisoned mule is 
held by the maiden and the young traveller seems more in- 
clined to cross her palm than to reward the man for his services. 


Signed at the lower left, J. Worms. 
Height, 17 inches; length, 21% inches. 


No. 46 


UL) Ce SIR JOSHUA REYNOLDS 
EEO ENGLISH 
One 1723—1792 
HEAD 


Tuts is a life-size study of a youth’s head, lighted after the 
manner of Rembrandt. It is in three-quarters view to the left, 
and the face is partly shaded by a broad-brimmed hat, the 
light being concentrated on the lower part of the face and 
flickering strongly on a steel gorget which surrounds his neck. 
The background is a simple tone of brown. 


Height, 161, inches; width, 13 inches. 


From Bovssop, Vatapon & Co. 


No. 47. 


FELIX ZIEM — 4L{O 


FRENCH 
1821— 


CONSTANTINOPLE 


Tus is a sketch for a picture evidently made in some part of 
the Adriatic. In the foreground is a bank shelving down to a 
broad harbor, and various figures in brilliant costumes are 
seated on mats in the left foreground, while two companions 
are dancing and gesticulating in front of them. On the left a 
single slender tree with a rounded tuft of foliage at the top 
rises high above the undergrowth with which it is surrounded. 


Signed at the lower right, Z1eM. 
Height, 15 inches; length, 18 inches. 


No. 48 


YG: ve — GUSTAVE COURBET 


ao | FRENCH 
er MEA afore or _ 1819—1878 
A SWISS SCENE 


A curious rustic mill, partly of masonry and partly of wood, 
stands at the foot of a moderate-sized cliff partly overgrown 
with bushes, from which a tiny stream, led through a wooden 
conduit, flows upon an overshot wheel. The mill-stream flows 
around toward the left of the foreground and out of the pic- 
ture. On the right slender trees rise against a forest behind 
them. The sky is covered with soft luminous clouds. 


Signed at the lower right, G. CourBet, 76. 


Height, 22 inches; width, 18 inches. 


No. 48. 


A Swiss Scene. 


By Gustave CourBET 


No. 49 


LOUIS EUGENE LAMBERT ey aie 
FRENCH 


Contemporary 


F. Carer te: 


CAT AND KITTENS 


THE mother cat, accompanied by three small kittens, has been 
playing with a basketful of colored wools, and the four, sur- 
prised at their game, stare at the spectator. The background 
is a panelled wainscot, and on the left is a basket from which 
the cat and kittens have dragged a tangle of colored wools 


which surrounds them. 


Signed at the lower right, L. Eve. LAMBERT. 
Height, 19 inches; length, 24 inches. 


From the Artist. 


No. 50 


(le 
MARIANO FORTUNY 


Go Lette SPANISH 


1838—1874 


COURTYARD OF HOUSE IN MADRID 


Tuts is a sketch of a Spanish patio in a strong effect of light 
and shade. An open shed-like building extends across the pic- 
ture and the mass of shadow is broken by the slender supports 
of the roofs, upon which the sun strikes, and an open doorway 
through which is the suggestion of a hot thoroughfare. The 
foreground is covered with loose stones and other débris, and 
above the tiled roof is a simple blue sky showing between the 
sunlit facades of lofty buildings. 


Stamp of sale at the lower right. 


Height, 19 inches; width, 151% inches. 


From the sale of Forruny’s studio effects. 


ad 


No. 51 


CESARE DETTI ee © 
ITALIAN 


tee ee Ln, Abe, 
A WATER EXCURSION 


Fan Design 


Own a broad terrace near the gateway of a chateau is a party 
of ladies and gentlemen, some of whom have just arrived in a 
coach which is drawn by prancing horses. On the left is a stone 
stairway leading to the water’s edge, where there are several 
pleasure boats ready to embark the crowd. On the left is an 
extensive view over a pleasant meadow through which a broad, 
placid stream flows. 


Signed at the lower left, C. Derrt. 
Height, 14 inches; length, 27 inches. 


No. 52 


/doo — 
PAUL JEAN CLAYS 


Abe 4 ee ece BELGIAN 
1819—1900 
CALM NEAR ROTTERDAM 


A croup of becalmed fishing vessels with bagging sails and 
drooping pennants forms the chief feature of the composition. 
Nearby is a rowboat filled with sailors, and on the left, in the 
middle distance, is a low point of land with various buildings 
and a number of craft moored to the shore. 


Signed at the lower right, P. J. Cuays. 
Height, 161, inches; length, 241/, inches. 


From the Cuiays Sale. 


No. 53 


FRITZ THAULOW 


NORWEGIAN 
1847— 


VG 


Ef bali 


THE BROOK 


A BRoaD, rippling stream runs down to the foreground from 
the middle distance, where it makes a bend and disappears be- 
hind a wooded point. Here a small village straggles up the 
hillside from the bank of the stream, and beyond it is a line 
of low, rounded summits forming the horizon against a sky 
covered with luminous vapor. Fruit trees in blossom enliven the 
landscape here and there. 


Signed at the lower right, Frirz 'THavuow. 


Height, 191% inches; length, 24 inches. 


/. oi ness No. 54 
BERNARDUS JOHANNES BLOMMERS 


hy DUTCH 


1844— 
INDUSTRY 


A DutcH vrouw is seated near a window in her cottage, busily 
engaged in sewing on a white garment, and, at the same time, 
rocking a cradle in which an infant is lying. Beyond the cradle ~ 
a small child stands watching the baby, and through the win- 
dow beyond the little group is seen a shepherd with a flock 
of sheep. 


Signed at the lower right, BLoMMERs. 


Height, 1534 inches; length, 19 inches. 


By Bernarpus JOHANNES BLOMMERS 


Industry. 


No. 54. 


a 


® 


No. 55 


EUGENE LOUIS GABRIEL ISABEY 5, 
FRENCH | 
1804—1886 


| Z. Lee 
AFTER THE STORM Doe a7 


In the foreground a rude bluff-bowed vessel is moored to a 
pier, and alongside is a boat with several men who are appar- 
ently taking the cargo from the vessel. She has evidently been 
through a severe storm, for her mast is broken off short, her 
sails are in disorder and she has lost her bowsprit. In the mid- 
dle distance beyond the vessel are various sailing craft and a 
few houses. The sky is covered with jagged clouds suggesting 
the effect of a severe gale. 


Signed at the lower right, KE. Isapey. 
Height, 15 inches; width, 1114 inches. 


No. 56 


Std — 
EMILE VAN MARCKE 


bf Carlyn FRENCH 


1827—1891 


LANDSCAPE AND CATTLE 


Horses and cattle are feeding in a level, grassy pasture which 
stretches across the foreground where small pools of water 
reflect the hght from the sky, and bunches of reeds and coarse 
grass grow in the wet places. In the distance on the left a 
lofty hill rises against the sky, and, with an adjacent lower 
ridge, forms the horizon line. The sky is filled with drifting 


storm clouds. 


Signed at the lower left, Em. Van Marcxe. 
Height, 1714 inches; length, 291 inches. 


AMOUVI NVA ay Aq 377709 puv advaspuvT ‘9G ‘ON 


No. 57 


EDOUARD FRERE (ape ee 
FRENCH 


18191886 Hit Naot 


MOTHER AND CHILD 


In a simple cottage interior a mother is seated near the cradle 
of her child sewing on a child’s garment. The light falls 
strongly upon the group from the upper left, throwing into 
luminous shadow the profile of the young mother, and accentu- 
ating the draperies and here and there the furniture. The back- 
ground is a simple plastered wall with a bird cage, a salt box 
and bellows hanging against it. On the left is a closet door 
painted a dull green. 


Signed at the lower left, Ep. Frire, 758. 
Height, 16 inches; width, 121% inches. 


No. 58 


OD 
LOUIS EUGENE BOUDIN 
fpbe Plavate ase 
1824—1898 
IN THE HARBOR 


Tuis is a view of the water front of the city of Antwerp before 
its recent improvement. From the foreground the broad river 
Scheldt, its surface broken by innumerable ripples, stretches 
away to the distance, where a low rank of trees forms the 
horizon. On the left is an irregular line of buildings broken by 
rounded masses of trees, and the river in front is busy with 
shipping. of various sorts. The familiar spire of the great 
cathedral dominates the town and is a prominent object in the 
distance. The sky is nearly covered by rounded cloud forms. 


Signed at the lower left, KE. Bouptn, ANvERs, 771. 
Height, 16 inches; length, 26 inches. 


. Niqnog aNaoay sinoyT Ag “40QMvFT ay7 UT ‘8G “ON 


No. 59 


LUIGI LOIR JE y yf Be 
AUSTRIAN 


Contemporary UW OQ Shi e, 
Ay lm - 
PARIS STREET SCENE 


Tus is a familiar scene in Paris, showing the tower of St. 
Jacques as the central object of the composition. The side- 
walks are covered with people, and private carriages with smart 
drivers dash along the roadway. In the foreground is a French 
family, evidently on pleasure bent, the husband and wife arm 
In arm and each of them leading a child. 


Signed at the lower right, Lorr Luic1. 
Height, 1234 inches; length, 16 inches. 


No. 60 


PAUL JEAN CLAYS 
VAG) = 


BELGIAN 


1819—1900 
MARINE W.C. 
A LARGE Dutch yawl is sailing before the wind along a broad, 
quiet river. The mast and sails are in strong contrast against 
a summer sky filled with luminous clouds. Right and left of 
the yawl, and farther away, are other vessels of similar rig, 


and in the left foreground is a rowboat with two figures. 


Signed at the lower right, Vente P. J. Crays. 
Height, 13 inches; length, 19 inches. 


From the sale of the studio effects of the Arrisr. 


No. 61 


VA JOSE DOMINGO 
hes. SPANISH 
ena Te Son tte 1843— 
THE CABARET 


STANDING astride a wooden bench, on which stands a delft wine 
jug, a cavalier in red doublet and breeches raises his right hand 
with a gesture of convivial welcome, while in his left he holds 
a tall glass half filled with white wine. The figure is partly 
relieved against a pier which supports a heavy wooden-timbered 
ceiling. On the left of the figure is a large wine-cask, and on the 
right a guitar player is seated near a window, while his com- 
panion holds the casement open to let in hght and air. 


Signed at the lower right, Dom1nco, Paris, 1881. 
Height, 25 inches; width, 18 inches. 


Joo Cp No. 62 


ANTONIO CASANOVA Y ESTORACH 
LWT VULHAALL SPANISH 


THE MUSICIAN CARDINAL 


A CARDINAL in red robes is seated in a gilded chair playing on 
a cello, attentively reading the score from an old music book 
which rests upon a gilded lectern nearby. The figure is seen 
down to the knees and is relieved against a mysterious gray 
background. 


Sighed at the upper left, Axronto Casanova ¥ Estoracu, Paris, 1896. 
Height, 10% inches; length, 14 inches. 


No. 61. The Cabaret. By Jost Dominco 


ey en 


No. 63 


MLLE. ROSA BONHEUR 
FRENCH 3396 — 


1822—1899 


. - 
THE HORSE Wl Sas 


Tuts is a study of a dapple-gray horse, seen nearly in profile 
to the left. He stands in a straw-littered stable, and, lighted 
from the left, is in relief against a rough plastered wall. 


Signed at the upper right, Rosa BonuHEUvR. 
Height, 12 inches; length, 151% inches. 


From the sale of the Arvist’s effects. 


No. 64 


ADOLF SCHREYER Ue fe 
GERMAN 


- 18281899 Cp babe 
THE DESERT 


Turee Arabs with their horses have halted in the midst of an 
arid, broken plain. I'wo of them have dismounted, and the three 
are apparently discussing the direction they are to follow on 
their journey. Low, rugged elevations form the horizon under 
a deep-toned sky partly covered by cloud forms. 


Signed at the lower right, $ 
Height, 101, inches; length, 14 inches. 


: No. 65 
Va 
4 JEAN LEON GEROME 
NWW0 ob nite FRENCH 
1824—1904 


THE SENTINEL AT THE SULTAN’S TOMB 


A cURIoUsSLY painted and gilded sarcophagus stands upon. a 
carpeted floor in a mosquelike interior hung with multicolored 
flags. Richly embroidered and decorated banners on tall shafts 
surmounted by various gilded devices are ranged around the 
sarcophagus. In front of it two figures are prostrating them- 
selves, touching their foreheads to the ground. On the right 
a half-naked pilgrim devoutly kisses the end of one of the ban- 
ners, and on the left, in the foreground, a sheik, in rich salmon- 
colored burnous, stands in an attitude of devout attention. 


Paris, September 7th, 1895. 
65 Boulevard de Clichy. 
Dear Sir: 

I have heard that you have bought my picture “'Tidi-Abder-Rhamon’s 
Tomb” and I beg to send you a few lines to explain the subject. 

At the death of a holy musulman his fellows in religion build a little 
monument over the tomb, which is generally ornamented with flags and 
covered with draperies; these draperies are generally precious, often bearing 
inscriptions taken out of the Koran and ‘written in the configues types. 

The ornamentation of the monument is in carved and painted wood; on 
the top are little domes. 

The musulman women (who they say have no soul) are not allowed to 
enter the Mosque but are authorized to visit the tombs of the saints, where 
you very often meet them, specially on certain days. From the decision of 
a Council at the majority of one, the Christian women are declared to have 
a soul and are given the right to enter Churches and Temples. ; 

The subject of your picture is: A father with his two children has come 
to perform his devotion, on the right a Santon (that is, a religious lunatic) 
kisses a flag. Very often the believer after the prayer and before leaving 
the church kisses the holy cloth. 


Please believe me, Dear Sir, 
Truly yours, i 
Signed: J. L. GtrOmeE. 


I forgot to tell that this tomb is situated very near the town of Algiers. 


igned at the right, J. L. GEROME. 
alate ; Height, 261, inches; width, 22 inches. 


[3 V4 WX KK 


The Sentinel at the Sultan’s Tomb 


By Jean Lton GEROME 


No. 65. 


+ 
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No. 66 


JULES ADOLPHE BRETON Le w 


FRENCH 


1827— | ite Oo t/a 


RETURNING HOME 


Tuer motive for this picture was found in Northern France ) 
near the country home of the painter. It shows a fertile farm- | 
ing country with cornfields and shocks of grain and stacks of 
straw. Across a harvest field near the foreground a peasant 
man and woman are walking, the man carrying a scythe and 
the woman a heavy basket. In the distance farm buildings, 
clumps of trees and a church tower form the sky-line against 
a sunset in which the sun shows as a luminous red disk near 


the horizon. 


Signed at the lower left, Jutrs Breton. ; 
Height, 111%, inches; length, 17 inches. 


From the Artist. Berta x NAS KK 


No. 67 


THEODORE ROUSSEAU 
42 jj! — FRENCH 


MAb S ant 1812—1867 
SUNSET LU 060 fh 203 Fo 


STRETCHING across the foreground, which is in deep shadow, 
is a rough pasture with large trees growing here and there, 
the principal clump overhanging a small pool of water under- 
neath a rounded hill. The trees on the right and the hill on the 
left form an irregular silhouette against a brilliant sunset sky. 


Signed at the lower left, Tu. RovussEav. 
Height, 1114 inches; length, 18 inches. 


From the American Arr AssocriatTion’s Sale, 1895. 
Se ee 


No. 68 
J2J—  ~ NARCISSE VIRGILE DIAZ DE LA PENA 
5 | FRENCH 
Oe ey, W. becGe 1809—1876 


FLOWERS 


A LARGE bunch of richly colored flowers of various sorts almost 
fills the picture. They are in a strong light and in contrast 
against a background which suggests heavy foliage, with sky 
in the upper right of the composition. 


oh SOR 
Signed at the lower right, N. Diaz. 
Height, 14 inches; width, 91% inches. 


No. 69 


MARTIN RICO bso 
SPANISH 


-1850— GS MW: ed oo 


A BRIDGE, AT VENICE 


Near the foreground a slender bridge, with wrought-iron rail- 
ing, crosses a narrow canal in which various Venetian boats are 
floating. On either side rise against the simple blue sky the 
facades of various houses with characteristic balconies and 
- windows. 


Signed at the lower right, Rico. 
| Height, 14 inches; width, 9 inches. 


No. 70 


ANTONIO CASANOVA Y ESTORACH 9 7g __ 
SPANISH 


| Te 
TESTING THE WINE C. en 


Aw old monk, dressed in rough, white garments, is standing 
at the foot of a short flight of steps which lead into the wine 
cellar, and, raising a freshly opened bottle of some choice vin- 
tage, examines the color of the wine in the strong light. The 
figure is seen to just below the waist and the head is turned 
away from the spectator in profil perdu. 

\ Height, 1234 inches; width, 734 inches. 


From the sale of the Arvist’s effects. 


No. 71 


Vee 
| . PAUL JEAN CLAYS 


Y G. Mesrnerstng BELGIAN 


1819—1900 


A DUTCH FISHING BOAT W.-C - 


Tus is a study of a characteristic fishing boat common in the 
North Sea and in the waterways of Holland and Belgium. She 
is sailing directly across the river, or, rather, drifting, for the 
wind is very light and her colored sails hang in heavy folds. 
Beyond the boat is a suggestion of a low shore with various 
buildings and trees. , 


Signed at the lower right, P. J. Cuays. 
Height, 11 inches; width, 81, inches. 


From the sale of the Arrist’s studio effects. 


No. 72 © 
GAA Pte JEAN JACQUES HENNER 
| ss FRENCH 
Y YW Vitter 1829—1905 


HEAD 


Tis is the head of a young girl seen in profile, strongly 
lighted from the upper left, the flesh in vivid relief against 
a mass of auburn hair which falls from her head on either 
side, and a piece of blue drapery which is thrown over her 
shoulders. | 

Signed at the left, J. J. HENNER. 


Height, 81% inches; width, 6 inches. 
From the Artist. 


= No, 78 


FRANZ VON DEFREGGER Vg G0 3 : 
GERMAN 


a Se ee 
HEAD 

: oy. 
‘Tuts is the head and shoulders of a robust German peasant 
girl. She wears a loose brown jacket with a falling lace collar, 
and on her head a narrow-brimmed felt hat ornamented with a 
bunch of wild flowers. The head, which is seen nearly in full 
face, and lighted from the upper left, is relieved against a 
smooth gray background. 


Signed at the lower left, DEFREGGER. 


Height, 81%, inches; width, 6 inches. 


No. 74 


GUSTAVE JEAN JACQUET Age Ah 
FRENCH 


Contemporary Ws “ay Door ced nga 


MEDITATION 


Tuts is the head and shoulders of a fair-haired maiden. She 
is seen nearly in full face, with the head slightly lowered and 
the eyes cast down. She wears a blue ribbon in her hair, a black 
one around her throat, and a pink silk mantle thrown over a 
blue bodice, trimmed with a pink ribbon. 


Signed at the lower left, G. Jacquet. 


Height, 121%, inches; width, 91% inches. 
From the Artist. 


No. 75 


3 pela FRANCOIS FLAMENG — 
FRENCH 7 
GY VASDRE 1859— 
INFORMATION 


A mountTepD soldier of the time of Napoleon, who has pene- 
trated far into the Alps, halts for a moment in a meadow 
where a peasant is engaged in watching his sheep. From him 
the soldier attempts to gain information as to the road or the 
enemy’s movements, and the peasant emphasizes his language 
with a gesture of his right hand while he imperturbably smokes 
a long pipe. Beyond the group, across a small lake, is a view of 
arid foothills and serrated snow-peaks, and in the sky, glow- 
ing with late afternoon light, is the crescent of the new moon. 


Signed at the lower right, Francois FLAMENG. 
bd 


Height, 11 inches; width, 8 inches. 


— 


iat 
eee Vee 


No. 75. Information. By Francois Fuamenc 


Rey St 
ra 0 Pa” 


No. 76 


JEAN BERAUD OE i 
FRENCH 


1849— He E fu : 


Tuts is a study of the Rue de la Paix in Paris, near the 


“RUE DE LA PAIX 


Avenue de l’Opéra. On the left are well-known shop fronts, with 
a hurrying crowd of Parisians on the sidewalks. In the fore- 
ground is a private brougham with a dressmaker’s boy and 
maid placing large pasteboard boxes in the carriage, while the 
fair purchaser waits near at hand. 


Signed at the lower right, JEAN Brravp. 
Height, 14 inches; length, 21 inches. 


From the Arrtst. 


No. 77 


PE fm EUGENE LOUIS GABRIEL ISABEY °°" 
FRENCH 


ALAIK3 Fewer 18041886 
MARINE 


Ir is a breezy day in Holland and the bluff-bowed luggers are 
wallowing along in the rough waters of a broad canal. On 
the right is a green slope washed by the waves, where stands 
a windmill with spread sails, and beyond it a half-finished ship. 
The sky is covered with rolling luminous clouds, suggesting a 


gusty day. 


Signed at the lower left, E. I., 65. 
Height, 8 inches; length, 121% inches. 


No. 78 


I2S - FELIX ZIEM 


FRENCH 


G. G. se devger 1821— 


THE GRAND CANAL 


TuIs is a view at the entrance of the Grand Canal looking out 
toward the Church of the Salute, the dome of which rises high 
against a sunrise sky. The warm light from the sun sparkles 
on the water beyond the palaces on the left and glows on the 
facades along the canal on the right. A single gondola floats 
on the water in the foreground. 
Signed at the lower left, Zrem. 

Height, 10 inches; length, 1314 inches. 


From the Artist. 


No. 79 


Z2.60— JOHN M. SWAN, A.R.A. 
‘ ENGLISH 


Vprger Contemporary 


LIONESS AND FOXHOUND 


A HUGE, tawny lioness and a young, foxhound are lying close 
together on the floor of a cage. They are apparently play- 
mates, for there is a large ball lying near the paws of the 
lioness. The background is a gray wooden partition. 


Signed at the middle right, J. M. Swan, 1882. 
Height, 61%, inches; length, 11 inches. 


No. 80 


its: 

/* LEON AUGUSTIN LHERMITTE 
FRENCH 

A. Gerth ir 


CA 4 


Iy the foreground a laborer is fishing in a small pond. Toward 
the right the water is almost covered by reed and sedge. Be- 
yond the pond, seen through a rank of trees in autumn foliage, 
is a pleasant landscape with country residences and, farther 


away, a high wooded hill. 


Signed at the lower left, LueRrMIrre. 


Height, 17, inches; width, 13 inches. 


No. 81 


Ih BI ee ate JEAN CHARLES CAZIN 
; FRENCH 
Poe Yes 1840—1891 PITA 
pee fet 710° 
THE BROOK sae 


Orc4 12 S oF Lx X 
A NARROW stream, flowing between low, grassy banks, leads 
from the right foreground diagonally to the left until it dis- 
appears under a rustic bridge. On the left is a deeply rutted 
road. Beyond the path which leads over the bridge, along which 
a single figure of a peasant woman is walking, is a grove of 
slender trees rising out of the picture. Between the trunks, 
and to the left, above a red-roofed cottage, is a sky covered 


with luminous clouds. 


Signed at the lower left, J. C. Cazin. 
Height, 16 inches; width, 12 inches. 


No. 81. The Brook. By Jean Cuarwes Cazin 


No. 82 


JOSEPH COOMANS BO 


BELGIAN 


1816—1891 re we Cas ges ; 


¢ 


FISHING 


A cLassicaL maiden, draped in a tunic which has fallen off 
her left shoulder and is raised high upon her thighs, is perched 
upon a rock overhanging a swiftly flowing streamlet, holding 
in her extended hand a small bamboo fishing rod, allowing the 
float to drift down the stream. Near her stands a small girl 
holding in front of her a net already partly filled with fish. 
Behind the group and extending out of the picture is an enor- 
mous tree with gnarled and scarred trunk and _ shattered 
branches relieved against the green of a distant wood. 


Signed at the lower left, Josep Coomans, 1865. 


No. 83 
Way fT = } ALBERTO ia re 
ee bo _ YTALIAN a 
G Beonet ae 1826—1899 GMM 


MARKET SCENE AT CONSTANTINOPLE 


In an open place in front of a large mosque in Stamboul is 
assembled a motley gathering of men and women in rich cos- 
tumes, partly in the shadow of two large trees and partly in 
the brilliant sunshine which illuminates the scene. Various 
natives are vending fruit and other wares, and on the extreme 
right of the group is a curious old-fashioned coach with a 
single horse. The sky is covered with a delicate mist and various 
birds flutter above the trees and perch upon the mosque. 


Signed at the lower right, A. Pasin1, 1869. 
Height, 15 inches; length, 26 inches. 


INISVg OLuaaTYy Ag ‘ajdoujunisuo) yw aUuadg Jay4D PT *GR 


a AMEE ats AS, 


XS 
bs 


No. 84 


EUGENE JETTEL = = foo 
AUSTRIAN | 
1850—1901 | Wi G- Ke ceo 


RETURNING 


On the right a farmer mounted on a white horse, and leading 
a brown one, is proceeding along a well-travelled road which 
leads out of the foreground, bordered on either side by culti- 
vated fields. On the left is a small farmhouse with thatched 
sheds and hovels, and to the right of it is a larger establish- 
ment with a large thatched barn. In the foreground a few ducks 
waddle toward a small pool of water at the roadside. 


Signed at the lower left, EucknE Jerret, Paris, ’92. 


Height, 17 inches; length, 24 inches. 


No. 85 


[ye fo — 
Dy ot MARTIN RICO 


SPANISH 
1850— 


RIO SANTA MARINA 


Tus is a study of one of the famous canals in Venice. On 
the right the ornate facade of a palace rises in a row of 
buildings which extends in perspective to the distance, and the 
opposite buildings rise out of the picture on the left. In the 
middle distance the canal is crossed by a slender bridge over 
which foot passengers are hurrying. A number of gondolas and 
other boats, some with occupants and some without, float on 
the quiet surface of the water. 


Signed at the lower left, Rrco. 
Height, 281, inches; width, 18 inches. 


By Martin Rico 


Rio Santa Marina. 


No. 85. 


No. 86 
Tiny A a 


HENRY MOSLER, A.N.A. 
AMERICAN j 
1841 — & b thug CT 


Tuis is a study of a peasant girl bearing on her shoulders a 


RETURNING HOME 


large brass milk can. She is walking across an orchard which 
is vividly illuminated by strong sunshine, striking upon the 
figure from the upper right and casting deep shadows upon 
the rich grass. In the right, beyond the figure, are the roofs 
and gables of a village, partly in light and partly in shadow. 


Signed at the lower right, Henry Mostrr. 


Height, 231%, inches; width, 17 inches. 


No. 87 


FREDERICK W. KOST, A.N.A. 320— 
AMERICAN 


1861— AA-TV. ay 
NIGHT 


A sLuccisH stream extends across the foreground and reflects 
the stems of tall trees, the forms of two men near a fire on 
the bank, and a long, low thatched building beyond. The 
feathery crests of the trees extend out of the picture at the 
top, and the sky suggests the approach of dawn. 


Signed at the lower left, Frev. W. Kost. 
Height, 20 inches; length, 24 inches. 


From the Artist. 


No. 88 


J60e- a 
3 MARIE DIETERLE 


OLD pec La FRENCH 


Contemporary 


LANDSCAPE AND CATTLE 


A HERD of spotted cattle is strolling about in a marshy pas- 
ture, some of them already in a shallow pool of water which — 
partly covers the foreground. Beyond the cattle, on the right, 
is a broad expanse of meadow, dotted here and there with feed- ‘ 
ing animals, and on the left two clumps of trees rise against __ 
the sky, which is covered with light, drifting clouds. 


Signed at the lower left, Marie DIETER LE. 


Height, 24 inches; length, 291%, inches. 


ATUALAI(, a1uvyy Ag ‘377709 pup advaspuvT “gg on 


No. 89 


JULES WORMS Vg ei 
FRENCH 


aos KLDWVO 0b 0 eVC 
THE SPANISH FORTUNE TELLER 


In the patio of a Spanish inn a merry company of young men 
and women are gathered after a convivial meal. A gypsy fortune 
teller, dressed in a figured costume, has approached the group 
and is telling the fortune of one of the maidens. On the left 
a small boy, dressed in toreador costume, is anxiously smoking 
a cigarette and watching a number of pigeons which are seek- 
ing their food on the ground nearby. A straggling fig tree 
grows in the courtyard and its broad leaves are contrasted 
with the sunlit building beyond, and a small patch of blue sky 
is seen in the upper right of the picture. 


Signed at the lower left, J. Worms. 
Height, 23 inches; length, 31 inches. 
From the Mary Jane Morcan Sale, 1886. Jv 4 7/42 xK SK 
13 .V ¥ C9 
C5 Ake por Ae7 prt AY. 


ere , No. 90 | | 
DU . : 
FREDERIK HENDRIK KAEMMERER a 
/3 | FRENCH 
oO Y . 5/7 as 1839—1892 


FISHING | 


A youne man and a young woman, seated on the edge of a 
grassy bank overhanging a broad river, are enjoying a day’s_ 
fishing. He holds the pole while she, leanmg on both arms, 
watches the sport attentively. In the foreground a pike and 
various other fish, together with the fish basket and bait box, __ 
are scattered on the grass. Beyond the figures, the drooping 
branches of a willow screen the larger part of the river from 
view. The figures are dressed in late eighteenth century cos-_ | 
tumes. 


Signed at the lower right, F. H. KAEMMERER. 


Height, 214% inches; length, 311% inches. 


No. 91 


F CO 
LOUIS EUGENE BOUDIN 


FRENCH RCN 
OZR 


1824—1898 


ON THE SHORE 


From the left foreground a shelving beach sweeps away in a 
double curve to the distance where a low headland extends into 
the sea. The waves toss and tumble upon the sand, and over- 
head a violent windstorm, bringing rain in heavy showers, 
sweeps across the sky. A few sailing craft struggle with the 
wind. In the distance on the right along the seashore are sug- 
gestions of a wooden wharf and various figures. 


Signed at the lower right, E. Boupin, °95. DEAUVILLE. 


Height, 251 inches; length, 36 inches. 


From the sale of the Artist’s studio effects. 


or 


No. 92 


SIO GUSTAVE COURBET : 
FRENCH 
Obrecegrr= 1819—1878 
THE SURF 


A TUMBLING sea, breaking into many lines of wave crests, ex- 
tends across the picture. The sea is apparently dashing upon 
a steep shore, for the masses of foam in the foreground sug- 
gest that the water meets with abrupt resistance. The sky is 
covered with a mass of drifting storm clouds against which 
the distant wave crests form the horizon line. 


Signed at the lower right, CouRBET. 


Height, 251%, inches; length, 32 inches. 


IACUNOD AaAvisay Kg ‘Jung ay. “6 ‘ON 


No. 93 


CARL WUNNENBERG LoS 
GERMAN 


1850— A If C Gace. 
THE PEACE OFFERING 


A DARK-HAIRED maiden, dressed in a white tunic embroidered 
in gold, bears in either hand a flower-pot with an aster plant 
in full bloom. The figure is relieved against a gold background, 
bearing a geometric design, and behind the head is a gilded 
halo. 


Signed at the lower right, C. WUNNENBERG. 


Height, 351, inches; width, 201, inches. 
From the Artist. 


No. 94 


HENRI LEROLLE a a 
FRENCH 


Contemporary iy . W. ULAR &: 


A FRENCH VILLAGE 


Ow the left a row of stone cottages, covered with rough thatch 
and partly overgrown by creepers, extends away in perspective 
until it meets the edge of a wood. On the right side, in the 
foreground, stand two figures of peasant women gossiping, 
and on the right is the corner of a rough stone wall. The 
sunlight falls upon the scene from the upper right, casting 
luminous shadows on the walls of the cottages and across the 
dusty road. 


Signed at the lower right, H. Leroxte. 
Height, 25 inches; length, 3114 inches. 


JULIEN DUPRE 


Up Ww. bicbh,- FRENCH 


1851— 
HARVEST 


A NUMBER of peasants, chiefly women, are busily engaged in 
raking up the new-mown hay and loading it upon a large © 
wagon. On the left a sturdy peasant woman raises a huge fork- 
ful, and on the right a companion is raking the hay into piles 
convenient for loading. The foreground is in shadow, and be- 
yond is a strong passage of sunlight, across a meadow in 
which several haymakers are at work. A low ridge of wooded 
hills forms the horizon and the sky is filled with turbulent 
storm clouds. 


Signed at the lower left, Jutren Dupre. 
Height, 261, inches; length, 391, inches. 


From the Artist. 


quaag Narrae <q ‘4ysaaiveT *GR CON 


= 
Pi 
oe 


5 tr LTD 6 telah le 


No. 96 


OTTO DE THOREN COLO Pre 


DUTCH 
1828—1889 d. Hf aut, 
RETURNING F ROM HARVEST 


In the foreground a Hungarian farm wagon, drawn by two 
horses and led by a peasant in characteristic costume, is pro- 
ceeding along a rough pasture on the shore of a broad river. 
In the wagon, seated on the straw, are a mother and child, and 
a young man. The horses have difficulty in drawing the load 
and one of the peasants is tugging at the wheel. In the dis- 
tance behind the wagon is a second one similarly laden, and 
on the left is seen the broad expanse of a quiet river, with a 
low line of hills beyond, and overhead a luminous sunset sky. 


Signed at the lower right, O. pE THOREN. 
Height, 24 inches; length, 34 inches. 


GEORGE INNESS, N.A. 


x ) Seer Te AMERICAN 


1825—1894 
THE LAST OF THE MOHICANS 


In the foreground an enormous tree, with a scarred and © 
gnarled trunk and straggling and twisted branches, grows on 
the edge of a small ravine through which a brook flows. 
Underneath the tree an Indian and a hunter, who have just 
slain a deer, sit upon the grass, intent upon watching some 
object in the distance. The foreground is in shadow and the 
middle distance beyond is strongly illuminated by the sunlight. 
Here and there through the dense foliage are glimpses of the 
blue sky beyond. . ae 


Height, 251%, inches; length, 36 inches. 


No. 98 


Yo 00l=— 


FERDINAND HEILBUTH 


GERMAN 
1826—1889 A We 


SUMMER 


Iw the foreground three pleasure boats are moored to the grassy 
shore of a pleasant winding stream, and four young ladies 
in gay costumes are basking there in the sunlight. Beyond 
the group, and on the other side of the placid stream, is a 
large clump of trees, and farther away the river disappears 
in a mysterious distance, where a low line of hills forms the 
sky-line. The sunlight is modified by a thin stratum of mist, 
suggesting a scorching summer day. 


Signed at the lower right, (x1BUrn. 


Height, 221%, inches; length, 36 inches. 


No. 99 


/f?e— | LEON BAZILE PERRAULT 
FRENCH 


GE. F MOAI Contemporary 


MATERNAL AFFECTION 


“vee 


A prasant mother, wearing a coarse, low-cut white chemise, 
a blue bodice and a dull mauve petticoat, is seated on a stone 
bench holding a small child on her knees, kissing his upturned 
face with maternal tenderness. The figures are of the size of 
life and relieved against a masonry background. On the right 
a grape vine grows against the wall, and the mother’s knitting 
is lying on the stone seat beside her. | | 


Signed at the lower left, L. Perravurr, 1894. pam 
Height, 39 inches; width, 32 inches. 


From the Artist. 


BaziLE PERRAULT 


LEON 


By 


Maternal Affection. 


99. 


No. 


No. 100 


F VERE ae 
LEON BAZILE PERRAULT 


FRENCH 


Contemporary to a Goan Law 
THE GRAPE GATHERER 


A PEASANT maiden, dressed in coarse and patched garments, 
is standing near a wall against which grows a grape vine with 
clusters of ripe fruit. With both hands raised she cuts a bunch 
from the vine, at the same time turning her gaze upon the 
spectator. Beyond her on the left, seen partly between the 
branches of the vine, is a glimpse of a wooded park or gar- 
den, and on the right, near the feet of the maiden, stands a 
basket already well filled with bunches of grapes. 


Signed at the lower right, L. Perravtt, 1893. 
Height, 3914 inches; width, 251, inches. 


No. 101 


4h Y SJ _— AUGUSTE HAGBORG 
GERMAN 


4) VA ’ Via ta Contemporary 
HOME FROM HARVEST 


A youNeG peasant, in the coarse garments of his class, carry- 
ing over his shoulder a rude cradle for harvesting grain, is 
trudging along a sandy country road, accompanied by a 
maiden who bears over her shoulder a shock of wheat glean- 
ings. Beyond the group is a simple landscape, showing on the 
left a gentle sloping pasture and on the right a tiny village. 
The ruddy sun is just setting in the distance and the sky is 
covered by small cloud forms. 


Signed at the lower right, Hacsore. 
Height, 3914 inches; width, 3114 inches. 


From the Artist. 


By AvucustE Hacpore 


Home from Harvest. 


No. 101. 


z 


v 


No. 102 


JULES JOSEPH LEFEBVRE ED it 


FRENCH 
1834— 


THE FRUIT SELLER 


A BARE-FOOTED Italian maiden, in characteristic dress, con- 
sisting of a white chemise with red half sleeves and bodice, a 
yellow petticoat, blue apron and headdress of white stuff, stands 
against a rough wall, her head upraised, engaged in knitting 
a striped red stocking. On the right is the opening of a fruit 
shop where fruit and vegetables are exposed for sale. 


Signed at the lower left, Jutes LEFEBVRE. 


Height, 41 inches; width, 24 inches. 


No. 103 


Vee 
P. MARCIUS SIMONS 
FRENCH 


Ae SpcCer- Contemporary 


THE CITY OF OPHIR 


In the distance, the golden city, with a multitude of domes, 
turrets and towers, shimmers in the strong sunlight against 
a sky partly covered by rapidly drifting kaleidoscopic-colored 
clouds. From the city gates a multitude of inhabitants pours 
down to the shores of a broad canal which flows from the 
right distance out of the picture. In the left of the foreground 
is a broad quay with a large crowd of people, and floating on 
the canal nearby are various craft with brilliant-colored sails, 
‘all filled with passengers. 


Signed at the lower right, P. Marcrus Simons. 
Height, 341, inches; length, 431, inches. 


From the Artist. 


sNowig sorouvyy ‘gq cq ‘uydo fo kn) ay ‘SOL ‘ON 


No. 104 ’ 


WILLIAM M. CHASE, N.A. Lape 
AMERICAN 


1849— sae eis eek JE: 


Tue full-length figure, about two-thirds life-size, of the famous 
Spanish dancer. Resting her weight on her left foot, and 
touching the floor with the toe of her right, she swings her 
body in profile, and, throwing back her head, raises both her 


CARMENCITA | 


arms, at the same time clicking the castanets. She is dressed 
in a sleeveless bodice and short, full petticoat, elaborately em- 
broidered and trimmed with gold, and from her waist flutters 
a scarf of gold tissue. At her feet her admirers have thrown 


bunches of roses and a gold bracelet. 


Signed at the lower right, Wm. M. Cwase. 
Height, 70 inches; width, 40 inches. 


No. 105 


pe md 
PROFESSOR WILHELM KRAY 
ih se GERMAN 
BA DPA Ze Contemporary 
PSYCHE 


Tue full-length figure of the classical maiden, partly draped | 
in a diaphanous mantle, sits half-crouching on the rocks at 
the seashore, resting her upraised head on her left hand. On 
her shoulders are butterfly wings with iridescent colors. The 
upper part of the figure is relieved against a warm-toned 
sky, and near the feet, which rest on jagged rocks, the sea 


breaks in masses of foam. 


Signed at the lower left, W. Krav. 
Height, 441/, inches; width, 291% inches. 


No. 105. Psyche. By Proressor WitHELM Kray 


No. 106 


MAURICE LELOIR PL ee 
FRENCH 


a LB eee 


THE HARVEST FESTIVAL 


In the foreground, floating on a placid stream, is a rowboat 
gayly decorated for the harvest festival. As a figurehead in the 
bow is a shock of wheat, with various f arming implements, and 
bearing a stuffed cockerel perched between the tines of a wooden 
pitchfork. Along the gunwales are fastened garlands of fiowers 
and leaves, and in the stern, under an embroidered canopy, 
with bunches of flowers on either side, the master, his wife and 
small child are seated on a couch covered with ripened wheat. 
Two rowers tug at the oars and four musicians are busily 
playing. Beyond the boat is a steep, grassy bank, with a large 
clump of pollard willows, and on the crest of the bank, against 
the sky, is seen a procession of laborers on their way to the 
festival. The costumes are all of the late eighteenth century. 


_ Signed at the lower right, Maurice Lexorr, 1882. 
Height, 71 inches; length, 110 inches. 


No. 107 


iC rae JULES JOSEPH LEFEBVRE 
. FRENCH 
Nemev ti hlrwane 1834— 
PANDORA 


Tue slender, youthful figure of Pandora stands facing the 
spectator, holding with both her hands a small ivory box. 
From her right arm fluttering drapery sweeps over her shoulder 
and behind her head, above which is a six-pointed star spark- 
ling in the murky atmosphere. A chaplet of gold laurel leaves 
surrounds the head. The maiden is walking on a rocky plain, 
suggesting a thin crust over underground fires, for steam 
mounts from various crevices, and a volcanic light accentuates 


the rocks and glows in the horizon. 


Signed at the lower right, Jutes LEFEBvRE. 


Height, 52 inches; width, 25 inches. 


tr bi Rd ie 
partie 15 ee 


No. 107. Pandora. 


By Juves LEFEBVRE 


SECOND EVENING’S SALE 
FRIDAY, FEBRUARY 16, 1906 
AT MENDELSSOHN HALL 


; BEGINNING PROMPTLY AT 8.15 o’cLOCK 


DRAWINGS 


No. 108 


JEAN FRANCOIS MILLET 


FRENCH 
1814—1875 


TELE 


WRESTLERS 


A pen and ink sketch of two nude figures wrestling. 


Signed at the lower right, J. F. M. 


Height, 6 inches; width, 43/, inches. 


No. 109 


Jo comet JEAN FRANCOIS MILLET 
FRENCH 


A FRENCH VILLA 


Aw outline in pencil of a small hamlet in a narrow valley. 


Signed at the lower right, J. F. M. 
Height, 3 inches; length, 434 inches. 


LA MANCHE 


A PENCIL sketch of two Channel vessels, with bellying sails, wal- 
lowing through a heavy sea. 


Signed at the lower right, J. F. M. 
Height, 21%, inches; length, 4 inches. 


No. 110 


MLLE. ROSA BONHEUR 


YI em ‘4 FRENCH 
ae Ge Pe 1822—1899 


THE HORSE FAIR 


Two pencil sketches, probably early suggestions of the com- 
position of the artist’s famous picture, “The Horse Fair.” 
In the upper sketch the composition is quite fully developed. 


Signed at the lower right, Rosa B. 
Height, 7 inches; length, 11 inches. 


From the sale of the Artist’s studio effects. 


Nor tit 


JOSEF ISRAELS | 
DUTCH wa fo ee 


1824— 


PENCIL DRAWING M pO eta mice 


A FULL-LENGTH figure of a Dutch peasant seated on a wooden 
bench with both hands resting on his knees, his head slightly 
inclined upon his chest and his eyes raised. He is in his shirt 


sleeves and wears a woollen cap with a broad visor. 


Signed at the lower right, Joser Israrts. 


Height, 1114 inches; width, 614 inches. 


No. 112 


WILLIAM ADOLPHE BOUGUEREAU ves ee 
FRENCH 


1825—1905 
Ltt44_2_ 
oe 


A stupy in pencil and white chalk of a nude Sait figure, 
seated facing the spectator, with her left leg across her right 
and her right arm extended at full length across the left thigh. 
Her left arm is raised and her head is turned toward the right 


shoulder. 


FEMALE FIGURE 


Signed at the lower right, Wm. BouGurEREAv. 


Height, 11% inches; width, 634 inches. 


No. 113 


MLLE. ROSA BONHEUR 


fi FRENCH 
Sy . SOLES 1822—1899 


DRAWING 


Aw outline drawing of a rearing horse, with a rider, done in 
black crayon on charcoal paper. The animal and rider are seen 
in profile. 


Signed at the lower right, Rosa B. 
Height, 914, inches; length, 1214 inches. 


From the sale of the Arrist’s studio effects. 


No. 114 

ars LOUIS EUGENE BOUDIN 
FRENCH 

CG V4 YW Fe oe 1824—1898 


SKETCHES 


Turse two sketches, in one frame, are from motives found on 
the seashore. The upper one shows a rowboat full of passen- 
gers about to leave on a water excursion. The lower sketch 
shows two fishing boats, moored to a broad stone quay on 
which several figures are standing. 


Inscribed on the back: “Ces deux aquarelles sont du peinteur, E. Bounty. 


J. ALLARD.” 
Height, 15 inches; width, 8 inches. 


No. 115 


LOUIS EUGENE BOUDIN ar 
FRENCH 


18241898 AHibe a 


DORDRECHT 


Tus is a sketch, partly in water color and partly in pencil, 
of the interesting old Dutch town seen from the river bank 
at Pappendrecht, opposite. 


Signed at the lower right, E. Bounty, and inscribed at the lower left, 


DorpreEcut, *75. 


Height, 81, inches; length, 13 inches. 


No. 116 


JOHN BARTHOLD JONGKIND 
DUTCH 


JSo— 


A DUTCH CANAL 
Black and White 


Tuts is a sketch of a broad canal near the town of Dordrecht 
in Holland. From the foreground, on the right, a broad foot- 
path sweeps to the right and then makes a turn to the left, 
following the bank of the canal, on which a large barge is 
floating. In the distance is visible the lofty spire of a church 
rising high above the surrounding trees. 


Signed at the lower left, JoncKIND, Dorprecur. 


Height, 10 inches; length, 15 inches. 


1822—1891 Jae %G : 
U Gog , 


Novae 


C= CHARLES EMILE JACQUE 
FRENCH 


Pu 1813—1894 


Black and White 


In the foreground a sturdy shepherd marches along at the 
head of his flock of sheep, which are feeding over a pasture, 
clasping around the shoulders a young girl, who leans confid- 
ingly against his chest. On the right of the group a black 
shepherd dog guards the flock, and, in the middle distance, a 
great clump of trees rises against the sky, while on the right 
there is a wide view over cultivated fields and meadows. 


Signed at the lower left, Cu. Jacque. ir 
Height, 15 inches; length, 2014 inches. 


PASTELS AND WATER COLORS 


vs . 5 


: bd a 
No. 118 aba Dae wy d . 


of 


\ 


‘3 


LOUIS EUGENE BOUDIN 


FRENCH ee PERE EPI i 


1824—1898 
SUNSET 


Tue sun is nearing the horizon, where a narrow band of clouds 
stretches across from right to left, and partly conceals the 
luminous disk. The glowing light, which touches a mass of 
cumuli higher in the sky, is reflected in the foreground on the 
tossing waves of the sea. 


Signed at the lower right, E. B. 
Height, 71% inches; length, 101% inches. 


No. 119 


(pe LOUIS EUGENE BOUDIN 
1824—1898 


byes TV. pn ef ee FRENCH 


AFTER THE STORM 

Pastel 
Tuts is a sketch of a turbulent sky suggesting the aftermath 
of a storm. The torn and jagged clouds are strongly lighted 


by the glow of early sunset. In the foreground is a sugges- 
tion of an open sea. 


Signed at the lower right, EH. B. 
Height, 7 inches; length, 101% inches. 


| No. 120 

oe yl iar: NARCISSE VIRGILE DIAZ DE LA PENA 
e FRENCH 

AY , Sertrey 18071876 


LANDSCAPE 
Water Color 


An open glade in the forest with gnarled trees on either side 
framing a sunlit vista beyond. The foreground is in shadow 
and is broken by a tiny stream which flows between low, grassy 


banks. 


Signed at the lower right, N. D. 
Height, 514 inches; length, 8 inches. 


No. 121 


LOUIS ALEXANDRE LELOIR Motel 


FRENCH 


1843—1884. I. facote 


THE GUITAR PLAYER 
Water Color 


A youne lady, dressed in ample Chinese robes, which are richly 
embroidered and trimmed, is seated on a Turkish rug holding 
with both hands a curious mandolin or guitar, with a long neck, 
on which she is playing with an ivory plectrum. Behind the 
figure is a Chinese screen ornamented by conventionalized forms. 
of animals and marine monsters. 


Signed at the lower right, Louis Letom, *72. 
Height, 914, inches; length, 13% inches. 


No. 122 


LUDWIG PASSINI EL 
FRENCH 


1832—1903 ie to Guth. 


HEAD 
Water Color 


Tus is a study of the head and shoulders of a Venetian girl. 
The head is seen in three-quarters view to the left, the eyes 
slightly turned away from the spectator, and her brown hair 
is somewhat dishevelled. Around her neck she wears a red, black 
and white striped and plaid kerchief, knotted over a striped 
mauve bodice. 


Signed at the upper left, Lupwie Passtnt, VENEZIA. 
Height, 1014, inches; width, 7 inches. 


No. 123 


JOO : CHARLES OLIVIER DE PENNE 
(> FRENCH 
Ce atk 1831—1897 
THE MEET 


Water Color. Fan design 


A LARGE party of ladies and gentlemen have assembled for a 
day’s hunting in a large park or forest in France. On either 
side in the foreground are foxhounds, some of them in leash, 
some of them resting in the care of keepers, and in the middle 
distance are groups of ladies and gentlemen, all in hunting 
costume, with carriages containing visitors. Beyond this group 
is a broad allée stretching away to the distance between thick 
woods on either side. 


Signed at the lower right, O. DE PENNE. 
Height, 11 inches; length, 22 inches. 


OIL PAINTINGS 
TAs Lies 


No. 124 VISAGE bert. 


ANTONIO CASANOVA Y ESTORACH 
SPANISH 


TESTING THE WINE 


Two jovial, old Franciscan monks are apparently engaged in 
drinking a companion’s health, for one of them holds in his 
raised right hand a tumbler half full of wine, and seems to 
be uttering some friendly sentiment. The heads are in relief 
against a modified blue background. | 

Height, 4 inches; length, 444, inches. 
From the Casanova Sale. 


No. 125 
: ad, ae 
CHARLES EMILE JACQUE 
1813—1894 AA geen 
HENS 
A sxack hen seeks for food in the straw upon which a white 


companion sits, apparently covering a setting of eggs. 


Signed at the lower left, Cu. Jacque. 
Height, 43/4, inches; width, 6 inches. 


No. 126 


7 hag A a GUSTAVE JEAN JACQUET 


FRENCH 
1846— 


HEAD 


Tus is a study of a young girl of ten summers or so, the 
head seen nearly in profile to the left and the eyes turned in 
the same direction. Her flowing brown hair is bound to the 
head by a slender ribbon, and a loose white drapery falls over 
both shoulders. | 


Signed at the lower right, G. Jacquet. 
Height, 81, inches; width, 6 inches. 


Mader. NO Sr 
A Nfiac aa ANTONIO CASANOVA Y ESTORACH 


SPANISH 


“2 
pire 


TWO MONKS AND A CARDINAL 


TuRreEE studies of ecclesiastical type framed together. 


The left represents a monk, with a smile of pleasant anticipa- 
tion on his face, filling a wine glass from a bottle. 

The middle figure shows a discontented old Capuchin monk 
looking over his spectacles. 

The figure on the right shows a jolly old cardinal reading an 
amusing book. 


Signed on the backs, A. Casanova ¥ Estoracu, 1897, 
Height, 31% inches; width, 21% inches each. 


No. 128 


MLLE. ROSA BONHEUR LLC ~— 
FRENCH 


18221899 Z Wipe Z obs 


A utver and white setter dog has found a rabbit hiding under 
some low bushes, and rigidly crouches, pointing at the same 
time with his sensitive nose. Beyond the dog is a vista along 
the edge of a large forest to a mysterious distance. 


THE QUARRY 


Signed at the lower right, R. Bonwevr, 1859. 
Height, 81, inches; length, 1014 inches. 


No. 129 


FELIX ZIEM a a= 
FRENCH 


1821— Ee Az: py ny 


VENICE 


Tuts is a study of early morning effect along the Canal San 
Marco. The left foreground is a flat, level beach partly ex- 
posed by the receding tide, and fishermen are busy there with 
their nets. In the middle distance, on the right, are seen the 
facades of the Riva, and on the left a fishing vessel with col- 
ored sails is lazily floating on the placid canal. The sky is 
covered with a luminous mist, the light being concentrated near 
the middle of the picture. 


Signed at the lower right, Zim. 
Height, 81% inches; length, 11 inches. 


No. 130 


JEAN JACQUES HENNER 


YW W fille ; FRENCH 


1829—1904 


A HEAD 


Tuts is a study, in profile, of a maiden of classical type, with a 
wealth of brilliant auburn hair unbound and flowing in loose 
masses over either shoulder. The light falls from the upper left, 
accentuating the mass of hair, the face and the bust, and 
bringing them into strong contrast with the deep tones sur- 
rounding them. 


Signed at the lower left, J. J. HENNER. 


Height, 10 inches; width, 7 inches. 
From the Artist. 


No. 131 


FELIX ZIEM 
I (Pe fe 
FRENCH 


“3 /3 Wo iL. 1821— 
e ‘ 
NIGHT ON THE LAGOON 


In the foreground a gondola with a single oarsman is rapidly 
approaching the broad band of light where the full moon, 
breaking through the clouds, is reflected on the twinkling sur- 
face of the broad lagoon. A brilliant red hght on the gunwale 
of the gondola comes out vividly against the dark mass. On 
the left, in the distance, is the Campanile and the mysterious 
forms of the adjacent buildings. 


Signed at the lower left, Ziem. 
Height, 7 inches; length, 11 inches. 


No. 132 


ANTONIO CASANOVA Y ESTORACH BuO -— 


SPANISH 


THE CARDINAL AND THE MONK 


A CARDINAL and a monk are seated opposite one another with 
a tea table between them, the former leaning back in an easy 
chair pouring liquor into a teacup, and the monk, watching 
the operation through his spectacles, pauses for a moment in 
the reading of his breviary. The figures are in relief against 
a grayish brown background. 


Height, 81% inches; length, 1014 inches. 


From the Casanova Sale. 


No. 133 


I. H. J. T. FANTIN-LATOUR 
FRENCH 


1836—1905 ° AM rots 
FIGURE At Dae oe” 


A FULL-LENGTH female figure is seated on a rock apparently 
near a pool of water in which she is about to bathe. Surprised 
by the approach of someone, she turns her head away and 
hastily throws about her a piece of loosely flowing drapery. 


ah 


ec a 


Signed at the lower left, FANTIN. 


Height, 91/, inches; width, 8 inches. 


Ot terrbd 


Clo * 


a \ 


No. 184 


CHARLES EMILE JACQUE 


Nr UY Kies FRENCH 


1813—1894 


POULTRY 


A camecocx and several hens of different breeds are busy 

_ searching for food in the straw at the foot of a plastered 
wall. The sunlight strikes strongly upon the cock and a white 
hen in the foreground, casting luminous shadows on the yellow 
straw. 


Signed at the lower right, Cu. Jacque. 
Height, 5 inches; length, 81% inches. 


No. 185 
Jboo ~ 
JEAN CHARLES CAZIN 


bey Manip: UE Sie pr FRENCH 


1840—1900 


BRITTANY LANDSCAPE 


A RED-TILED, roughly plastered cottage, with a few small out- 
buildings and a neighboring straw stack, form a prominent 
group in the broad expanse of a farming country where no 
other habitation is visible. From the left foreground a sandy 
path winds away to the right. The sun, which is nearing the 
horizon, shines through a soft mist which covers the sky. 


Signed at the lower right, J. C. Cazin. 
Height, 5 inches; length, 814 inches. 


Git eee 


From the Artist. 


No. 136 


JACOB MARIS L4EOO — 
DUTCH 


1838—1899 oe Oe yr en 


ON THE ZUYDER ZEE 


Aw old walled town with turreted gates stands near the shores 
of a wide bay or inlet, and near the water gate, which is the 
principal object in the composition, two fishing boats are 
moored. The moon is near the zenith and is reflected in a broad 
band of light on the rippling water. In the foreground two 
figures are walking along the beach toward the town. 


Signed at the lower left, J. H. Maris. 
Height, 5 inches; length, 8 inches. 


’ 


ee ee 


No. 137 


IGE JEAN CHARLES CAZIN 
i 1840—1900 
LANDSCAPE 


A GRASS-COVERED meadow extends across the foreground, and 
in the middle distance are several haystacks and a large, rounded 
tree standing on the crest of a slope, which apparently descends 
to the edge of the forest beyond. The light in the sky is con- 
centrated on a large cloud form in the upper right of the: 


picture. 


Signed at the lower left, J. C. Cazin. 
Height, 5 inches; length, 81, inches. 
From the Artist. . 


No. 138 

at Vi, Ue JEAN JACQUES HENNER 
Tap Ra po ee FRENCH 
LPs 1829—1905 


MIDSUMMER 


A SEMICIRCULAR ivory panel, on which the artist has painted the 
full-length reclining figure of a nude female in full sunlight. She 
_ lies upon her right side, her head resting on her hands against 
a low bank, and her left leg, extended at full length, crossing 
the right one. Above her, and a little to the right, a simple 
blue sky shows between clumps of trees. 
This little composition was painted for the middle panel in 
a displayed painted fan. 


Signed at the lower left, J. J. HENNER. ) 
Height, 4 inches; length, 8 inches. 


No. 139 


JEHAN GEORGES VIBERT tej lg 
FRENCH 


1840—1902 EEL yo : 


THE ARTIST CARDINAL 


Aw old cardinal in full robes, wearing a red velvet hat, 4 la 
Rembrandt, is painting on a large canvas which stands on an 
easel in the left of the picture. He holds his palette, brushes 
and maul-stick in quite a professional manner, and is appar- 
ently not altogether an amateur. 


Signed at the lower right. J. G. Viserr. 
Height, 10 inches; width, 71% inches. 


From the Artist. 


No. 140 


LOUIS EUGENE BOUDIN * /“@¢— 
FRENCH > 


} 1824—1898 Sy Yh Koo 


BRITTANY INTERIOR 


In a cottage interior are two peasant women in characteristic 
costumes, one of them seated at a curious spinning wheel, the 
other holding in her lap a young child. In the background are 
suggestions of heavy pieces of furniture, and in the foreground 
two hens are seeking food on the floor. 


Signed at the lower right, E. B. 
Height, 81%, inches; length, 1014 inches. 


No. 141 


AEG = 
HENRY MOSLER, A.N.A. 
EM eLbr AMERICAN 


1841— 
THE FAGGOT GATHERER 


In the foreground, toiling down a steep hillside, is a peasant 
woman bearing on her back a heavy burden of large faggots. 
The figure is in shadow against a background of trees and 
underbrush strongly illuminated by sunshine. 


Signed at the lower left, Henry Moster, 799. 
Height, 12 inches; width, 9 inches. 


No. 142 
LL | JULES WORMS 
Gt 4 Wea FRENCH 


1832— 


A DIOS 


A SPaANIsH guitarist, in fancy dress, stands beneath the barred 
window of his lady love, with whom he is earnestly conversing. 
Beyond the musician is a narrow passage-way or alley bridged 
over by a room. 


Inscribed at the lower left: A Mon ami ScHENCK. J. Worms. 


Height, 16 inches; width, 61/4. inches. 


No. 143 


THEOPHIL H. DE BOCK (Re 
1850—1904 
LANDSCAPE 


BrEyonp a grassy meadow in the foreground rises a great ledge 
of rocks, at the foot of which several figures are assembled. 
On the right of the rock is a dense forest, and slender trees 
straggle up the slope to the summit of the elevation. Large 
cumulus clouds float across the sky. 


Signed at the lower right, Bocx. 
| Height, 1014 inches; length, 17 inches. 


No. 144 


PAUL JEAN CLAYS oe 
BELGIAN 


1819—1900 i Dar begin 


BOATS LEAVING OSTEND 


Tus is a study of the shallow North Sea near the Belgian 
coast while it is lashed by a heavy storm from the southwest. 
In the left foreground two vessels are struggling with the 
waves, and on the right two fishing boats are tossing in the 
rollers. In the horizon, where the storm clouds cast an immense 
shadow on the water, are various fishing craft and a single 


steamer. 


Inscribed at the lower left, Vente P. J. Crays. 
Height, 1014 inches; length, 191, inches. 


Wed No. 145 


EC dill. FREDERIK HENDRIK KAEMMERER 


FRENCH 
1839—1892 


AFTER THE BALL 


A youne lady, evidently exhausted after her appearance at a 
fancy-dress ball, has thrown herself carelessly upon the cush- 
ions of a divan behind a table on which is a large jardiniére 
filled with roses. Her head is thrown back and her dishevelled 
hair is spread out upon the cushions on either side. She is dressed 
in blue satin, and in the right foreground a mask of the same 
color is thrown on the floor. 


Signed at the lower left, F. H. KAEMMERER. 
Height, 16 inches; width, 10% inches. 


No. 146 


I BEAR Of PAUL LOUIS GROLLERON 
. FRENCH 
ay. &. (Gy ee 1848—1901 
THE SKIRMISH 


A rew French infantrymen, accompanied by a bugler and com- 
manded by an officer, are skirmishing along under a high wall. 
Those on the left have found the enemy and are actively firimg. 
One soldier lies dead, another has received a staggering wound, 
and the officer, perched on a ladder, is looking over the wall. 


Signed at the lower left, P. GRoLLERon. 


Height, 13 inches; length, 16 inches. 


No. 147 


JOSEPH MORTIMER LICHTENAUER 74 2% — 
AMERICAN 


1876— A, S44. ; 


HEAD 


A LiIFE-sizE study of the head and shoulders of a fair-haired 
young girl, seen in profile to the right. Around her shoulders 
is a green mantle knotted in front. The background is a simple 
tone of light gray. 


Signed at the upper right, LicHTENAUER. 


Height, 174% inches; width, 14 inches. 


No. 148 


AUGUSTE TOULMOUCHE Jin Dae oie 
FRENCH 


1829—1890 dp luva— 
Litt 


LOVE’S TOKEN 


A sMALL decorated vase, filled with white lilacs, stands on a table 
in the foreground, and over it bends a dark-haired young maiden 
dressed in a robe of red velvet trimmed with gray fur. The 
background is a panelled room with gilt decoration, and behind 
the figure is a bronze bust on a square pedestal. 


> 


Signed at the lower right, A. Toutmoucue, ’67. 


Height, 19 inches; width, 15 inches. 


No. 149 


SL Rh ANTOINE VOLLON 
> FRENCH 
i gue - 1833—1900 
STILL LIFE 


A GoLpEN salver filled with apricots, a porcelain bowl orna- 
mented with green, a mandolin, a gold ewer and drinking cup, 
with a few roses and other objects, are assembled on a green- 
fringed cloth spread upon a buhl table. In the background is 
the suggestion of a panelled room and a rich, heavy red curtain. 


Signed at the lower left, A. Votton. 
Height, 121%, inches; length, 16 inches. 


es Sf O— No. 150 


ANTONIO CASANOVA Y ESTORACH 


¢ é hitler r SPANISH 


THE GOURMAND 


A rotunp and jovial Franciscan monk is enjoying hugely a 
plate of field strawberries, and, about to raise a spoonful to 
his lips, is smiling in anticipation of the feast. The head is 
nearly life-size and is in strong light from the upper left. 


Signed at the upper left, ANton’® Casanova Y Esroracu, Paris, 1888. 


Height, 1614 inches; width, 124% inches. 


No. 151 
? i: A Ve Joe 
JEAN LEON GEROME 
FRENCH VA 
L710 ier pec 
1824—1904 Adis a H 
THE CARAVAN ay 


In the foreground is an Arab, in a white burnous, mounted on 
a donkey accompanied by a foal. He is proceeding briskly along 
the sandy shore of a bay which extends partly across the pic- 
ture from the right to the left. Following the Arab, at some 
distance away, is a large herd of goats under the care of a 
goatherd, and still farther behind a long caravan of many cam- 
els, some with riders and some without. In the distance a range 
of rocky summits, with arid foothills, rises against the simple 


blue sky. 


Signed at the lower left, J. L. Gtrome. 
Height, 1014, inches; length, 14 inches. 


No. 152 


oO —— 
PAUL JEAN CLAYS L46/ 


BELGIAN ; 
1819—1900 Wiles CO oe: a gee =“ 


ALONG THE QUAY 


Two large Dutch yawls, with colored sails, are drifting in a 
light wind along near a populous quay of a large town, and 
form the chief figure of the composition. In the foreground on 
the left of the vessels is a rowboat, with two figures, and be- 
yond, seen down the broad river or inlet, is a mass of shipping 
extending to the distant horizon. 


Inscribed at the lower left, Ventre P. J. Crays. 
Height, 13 inches; length, 1414 inches. 


Wi — No. 153 
ALPHONSE MARIE DE NEUVILLE 
FRENCH 
fer OA 1836—1885 
THE SENTINEL 


A Hussar, in silver trimmed képi and jacket, full red trousers 
with leather extensions, is standing in profile, his left hand on 
his hip above his sword guard, and his right hand by his side 
holding a cigarette. The head is in three-quarters view, the 
eyes turned toward the spectator, and the figure is in relief 
against a rough-plastered wall, suggesting the facade of a 
building. 


Signed at the lower right, A. pe NEvvitie, 1878. 


Height, 12 inches; width, 8 inches. . 


NEUVILLE 


By Avpuonse Marie DE 


The Sentinel. 


No. 158. 


No. 154 


JEAN JACQUES HENNER JA 
FRENCH | 


1829—1905 A I Ae DT Aeees 


HEAD 


Tue head of a young girl, about half life-size, with a mass 
of loosely flowing auburn hair. The face is seen in profile to the 
left, the head slightly lowered and the eyes raised. A fold of 
red drapery crosses the left shoulder. 


Signed at the lower left, J. J. Henner. 
Height, 1014 inches; width, 81% inches. 


No. 155 


ANTONIO CASANOVA Y ESTORACH AOE a 


SPANISH 


LAK. 
A GOOD STORY maa 


A monk, who has been taking tea with a cardinal, is amusing 
his host with a good story, which he whispers in his ear, con- 
cealing behind him at the moment his breviary, which he holds 
in his left hand. The two heads are close together over a 
mahogany table, with ormolu mounts, on which is spread a rich 
and delicate tea service. 


Signed at the upper right, ANTon1o Casanova Y Estroracn, Paris, 1895. 
Height, 13 inches; length, 16 inches. 


J 20 — 


Matt ff 


No. 156 


JEHAN GEORGES VIBERT 


FRENCH 
1840—1902 


THE CARDINAL . fro wr XP? 


Tus is a study of an old cardinal in red robes and biretta. 
His shoulders are in profile and his head in three-quarters view 
to the left, his eyes turned toward the spectator. The expression 
on his face denotes that he is listening to an agreeable story. 


Signed at the lower left, J. G. V1Bert. 
Height, 101%, inches; width, 81% inches. 


No. 157 


Wien I. H. J. T. FANTIN-LATOUR 


FRENCH 


W. te fs Vie é -1836—1905 


CARNATIONS 


A BuNCH of carnations of a variety of colors stands in an or- 
dinary glass tumbler full of water. The flowers are in a strong 
but diffused light and are relieved against a mysterious gray 
background. | “a 


Signed at the lower left, FantTIN. 


Height, 111, inches; width, 1014 inches. 


No. 158 


JEAN JACQUES HENNER Te rm 


FRENCH ea KM Boo 


1829—1905 


ASLEEP 


A nuveE female figure is reclining in the foreground near a 
small oval-shaped pool. She lies on her left side and her back 
is turned toward the spectator. The flesh is in a strong effect 
of light and shade and the head and upper part of the body 
are relieved against the dark mass of a clump of trees beyond. 
In the upper right of the picture is an area of simple blue sky 
which is reflected in the pool below. 


Signed at the lower left, J. J. HENNER. 
Height, 8% inches; length, 101% inches. 


No. 159 
if Lay Geka: 
/ / - 


JEAN JACQUES HENNER 
FRENCH 
AK : UL t 1829—1905 
ANDROMEDA 


TuHE nude figure of the unfortunate maiden is seen full length 
and in profile, her arms upraised, her head thrown back and 
her auburn hair floating in the breeze. Her right leg is bent 
and she rests her weight on the left. The figure is in relief 
against the sombre mass of a lofty cliff, beyond which, on the 
right, is a suggestion of the sea. 


Signed at the lower right, J. J. HENNER. 
Height, 131% inches; width, 8 inches. 


No. 159. Andromeda. 


By Jean Jacques HENNER 


No. 160 


CHARLES FRANCOIS DAUBIGNY ya 


FRENCH | 
1817—1878 WA we, ly 


A COUNTRY ROAD 


A sroaD, well-travelled road leads from the foreground to the - 
middle distance around and beneath a large clump of lofty 
trees in full summer foliage. On the left is a suggestion of a 
grassy bank with a fence surrounding a park or a garden. 


Signed at the lower right, Davsicny. 


ee | Height, 10% inches; width, 8 inches. 
No. 161 
ANTOINE VOLLON BEDE 
FRENCH 


1833—1900 A Gorth or 


A copper jug and a brass kettle are placed on an upturned 
tub. Nearby stands a green glazed jar, and in front of it is a 
plate with a long-handled ladle and four eggs. On the floor 


opposite the plate are onions and mussels scattered about. 


STILL LIFE 


Signed at the lower right, A. VoLton. 
Height, 10 inches; length, 131, inches. 


Wi | No. 162 


ADOLEF SCHREYER 


Niacte Vga GERMAN 


1828—1899 
A MOORISH HORSEMAN 


A Moor, mounted on a brown pony, his gun slung across his 


back, is fording a rocky stream, and driving, at the same time 


with him, a white pack horse which is straggling along under 
a load. Across the stream is a bluff partly overgrown with 
bushes, and to the left a gently slopmg tract of land leading 
off to the extreme distance. The sky is covered with gray clouds 
and the landscape is in full sunlight effect. 


Signed at the lower right, $% 
Height, 101, inches; length, 131% inches. 


ALAMUHOG atoay Ag 


aa. 5 Fina? bers 


pelt ol ERE acne a Ale Rt Arron tan eae 


‘UDWASLOFT Ysisoopy PV 


“O9T “ON 


a a ae 


F 


No. 163 


ADOLF SCHREYER Ue ap 


GERMAN 
1828—1899 Sprage 
ARABIAN HORSEMAN 


Iy the foreground is a rough pony bearing a pack and ac- 
companied by a peasant dressed in coarse garments. Beyond the 
group is a rude stone hovel at the foot of a steep and rocky 
range of hills where other habitations are scattered over the 
slope. The sunlight falls upon the scene from the left and a 
few luminous clouds float in the upper part of the simple sky. 


Signed at the lower right, & 
Height, 101, inches; length, 131, inches. 


boos No. 164 


EMILE VAN MARCKE 


M3. Wy ator “ FRENCH 


1827—1890 


CATTLE 


Tuts is a study of two cows, the one on the right seen in full 
face, the other in three-quarters view from behind. They are’ 
in a diffused sunlight and in relief against a grassy meadow 


( 
beyond. 
Signed at the lower left, Em. Van MarcxeE. 
Uw arte Height, 10 inches; length, 14 inches. 


-_ 
— 


No. 165 


JEHAN GEORGES VIBERT hh es 
FRENCH 


1840—1902 
A Sao Gro 


A NEW SUBJECT 


A carprnat, who is making a visit to the house of a wealthy 
friend, examines, while he is waiting, a wall decoration sugges- 
tive of an amorous incident in song or story. In front of the 
cardinal, who stands with his back to the spectator, holding his 
folded biretta in his hands, which are clasped behind him, is 
a low green sofa, on which the hat and lace mantle of a lady 


are carelessly thrown. 


Signed at the lower right, J. G. Vipert. 
Height, 15 inches; width, 111% inches. 


From the Artist. 


MLLE. ROSA BONHEUR 


AK Yorver. FRENCH 


1822—1899 


1. bub ne 
ROAMING Nisr ekeeky 


A youne buck wandering through the forest has halted a mo- 
ment, startled by some noise, and stands with head upraised 
looking eagerly to the right. Near him is the rough trunk of 
a large tree and beyond him a scattered growth of trees and 
underbrush. 


Signed at the lower left, Rosa BonneEvr, 1875. . 
Height, 14 inches; width, 101% inches. 


No. 166. Roaming. By Mute. Rosa Bonueur 


a 


Pe 


No. 167 VIE 


J. G. MEYER VON BREMEN 


GERMAN ey: hlu cn 


1813—1886 


THE FIRST LESSON 


A uiTTLe girl, lying in her crib, is taking her first lesson in 
reading from her elder sister who, seated in an armchair beside 
her, holds a book in both hands and leans lovingly against the 
little child. Over the group hangs a curtain of pale, striped 
blue, and light falls upon the little group from the upper left, 
bringing the figures into relief against a shadowy background. 


Signed at the lower left, MryER von Bremen, 1865. 
panko 
Height, 18 inches; width, 15 inches. 


J2r-S — No. 168 
HIPPOLYTE CAMILLE DELPY 


A. u . Wh SE Ass FRENCH 


Contemporary 


LANDSCAPE 


A quiet pool of water extends nearly across the picture, leay- 
ing a narrow strip of grassy bank in the foreground. On the 
farther shore a cow is drinking, watched by a peasant woman. 
Beyond them an irregular clump of trees rises high against the 
quiet evening sky. In the horizon, on the left, is a rounded hill- 
side against a simple evening sky, and on the right, beyond a 
clump of tall poplars, is the suggestion of a pleasant villa. 
Signed at the lower right, H. C. DELpy. 

Height, 114% inches; length, 21 inches. 


No. 169 
Via , 
JULES DUPRE 

oa ee FRENCH 

Whee ve 1811—1889 


LANDSCAPE 


A SHALLOW pool extends across the foreground and on the right 
is bordered by a broad road which, passing between two groups 
of large cottages, winds away to the extreme distance, where 
a small lake, bordered by low hills, sparkles in the sunlight. 
Cows drink in the water, peasants gather near their doors, and 
a two-wheeled ox-cart crosses the sunlit road in front of the 
cottages. On the left a lofty clump of trees covers a large por- 
tion of the sky and is reflected in a deep shadow in the pool 
below. | 


Signed at the lower left, Jutes Dupre. 
Height, 1134 inches; length, 1734 inches. 


No.. 170 


JEAN CHARLES CAZIN , (“7° 
| tw . 
FRENCH ‘all ; . 


| LP 
1840—1900 Bhs : 


A PROVINCIAL TOWN 
O1X*X fr 
Tuis is a study made in a moderate-sized town in France. A 
broad street extends across the foreground and leads between 
two rows of houses to the cathedral, with its twin towers, beyond. 
The street is partly covered by grass, and on the left a peasant 
woman, with her basket, is resting by the roadside under a 
wooden fence which surrounds a group of cottages. The hour 
of the day is near sunset and a warm glow envelops the land- 
scape. 
Signed at the lower right, J. C. Cazin. 

Height, 111% inches; length, 16 inches. 
From the Artist. 


No-> 171 


NARCISSE VIRGILE DIAZ DE LA PENA 


Ti 600 
, FRENCH 
een Yaron ' 1809—1860 


IN THE FOREST 


Tue motive for this picture is evidently taken from the forest 
of Fontainebleau, for it shows one of the characteristic glades 
in this famous resort for artists. On either side of an opening, 
through which a single figure of a peasant woman is walking, 
is a dense growth of sturdy forest trees. The sun breaks through 
an opening in the foliage and strongly accentuates the ground, 
the tree trunks, and here and there the leafy branches. Through 
the foliage at the top of the picture is seen the sky, suggesting 
the presence of luminous summer clouds. : 


Signed at the lower left, N. D1az, ’64. 
Height, 151% inches; length, 191% inches. 
From Leroy & Co., Paris. L143 0 2235S tee 


ofa ON TR 2307 me 
ory et blak: 


By Narcisse VircGiLteE Diaz DE LA PENA 


In the Forest. 


No. 171. 


4 . 


we 


INO cL Le 


CONSTANT TROYON V1 4) 


FRENCH 
1810—1865 


LANDSCAPE AND CATTLE 


Four cows, driven by a peasant woman, are wading through a 
shallow stream in the foreground. Beyond them stands the 
peasant on a sunlit bit of road which winds about through a 
wood where trees of various sizes and kinds grow thickly to- 
gether. On the right a range of mountains rises almost out of. 
the picture, showing a narrow strip of sky above. 


Inscribed at the lower left, VentE Troyon. 


Signed at the lower right, C. T. 
' Height, 1114 inches; length, 1814 inches. 


No. 173 


HIPPOLYTE CAMILLE DELPY FE he fas 
FRENCH 


Contemporary a We beoger r 


In the right foreground is a narrow strip of meadow bordering 


LANDSCAPE 


a quiet river which flows from the left diagonally across and 
sweeps around past a low point on which stands a large village, 
overshadowed here and there by lofty poplars. An irregular line 
of low hills forms the horizon, and the sky, which is nearly cov- 
ered with clouds, glows in the light of a summer sunset, the 
tones of which are reflected in the placid surface of the river. 


Signed at the lower right, H. C. Drury. 
Height, 13 inches; length, 231% inches. 


[700 peel No. 174 


HENRI HARPIGNIES 
FRENCH 


AHIVe nig SOMARIO =: 


A SUMMER’S DAY 


Two trees grow on the bank of a narrow stream which flows 
out of the foreground on the right, and underneath one of these 
trees a female figure is seated reading a book. On the other side 
of the stream are grassy fields, and still farther away a line of 
low hills on the horizon. The sky is a simple luminous tone, 
broken here and there by suggestions of blue beyond. 


Signed at the lower left, H./ Harpientes, 790. 
Height, 15 inches; length, 22 inches. 


From Arnow & Trier, Paris. 


No. 175 lA i 


PAUL JEAN CLAYS 


BELGIAN yeaa, 
Wren. ; 


1819—1900 


~ MARINE 


Tosstne on the muddy waters of the North Sea, presumably 
near the mouth of the Scheldt, is a fleet of sailing vessels of 
various sizes and variety of rigs, the middle one, a barque with 
topsails, being apparently under tow. The sky is covered with 
low drifting storm clouds. 


Inscribed at the lower left, Vente P. J. Crays. 


Height, 13 inches; length, 21 inches. 


OF lam No. 176 


EUGENE LOUIS GABRIEL ISABEY 
BRINGING HOME THE WOUNDED 


A WOUNDED man has been brought to the porte cochere of a 
large mansion, and, reclining on a stretcher, is surrounded by a 
wailing group of friends and attentive nurses. On the right 
stands a lord and his lady and two mounted cavaliers. Above 
the group the facade and roofs of the mansion rise nearly out 
of the picture. 


Signed at the lower right, EK. Isaney, °78. 
Height, 2134 inches; width, 17%, inches. 


No. 176. Bringing Home the Wounded 


By Eveéne Lovis Gasriet IsaBey 


4% 


No. 177 
PLM iors 


ADRIAN DEMONT 


FRENCH We he Dean 


1851— 
NIGHT 


From the foreground a broad country road leads up and over 
the crest of a hill. On either side are rude cottages roofed with 
red tiles, in one of which, just over the crest of the elevation, 
shines a warm light, evidently the goal toward which a fisher- 
man, bearing a laden basket on his shoulders, is turning his 
steps. The sky is covered with heavy rolling clouds, accentuated 
near the middle of the picture by a strong gleam of moonlight. 


Signed at the lower right, ApriAN DEMonrT. 


Height, 17 inches; length, 211 inches. 


No. 178 


b OLE BERNARDUS JOHANNES BLOMMERS 
DUTCH 


HH U/ Giller ; 1844— 


PEELING POTATOES 
Water Color 


0. BX" 


A Dutcu huysvrouw is seated near her kitchen fire engaged in 
peeling potatoes for the evening meal. Standing opposite her 
and resting one elbow on a low table is a small lad who is read- 
ing a paper while his mother works. 


Signed at the lower right, BLoMMERs. 
Height, 1914 inches; width, 15 inches. 


No. 178. Peeling Potatoes. By Brernarpus JoHaNNES BLOMMERS 


+ 


No. 179: 


ae Oc 


FRITZ THAULOW 


NORWEGIAN GEE Thy eG ee 


1847— 


THE RIPPLING BROOK 


A RIPPLING stream flows down to the foreground from a sunlit 
village in the middle distance, where fruit trees in blossom sur- 
round the cottages. In the middle distance, on the left, ‘the figure 
of a peasant is seen at work in his garden. 


Signed at the lower right, Fritz THavtow. 


Height, 18 inches; length, 211% inches. 


No. 180 


JEAN FRANCOIS RAFFAELLI Soe es 
FRENCH 


anki Ute rGorte, 


AVENUE DE LA REPUBLIQUE 


THE avenue is crowded with people. In the foreground a fruit 
woman pushes her cart, and beyond her is a mass of foot pas- 
sengers, cabs, laden omnibuses, and the confusion of a crowded 
Paris street. In the middle distance the mansards of a cross 
street, with the monument of the Republic, form a sky-line 
against a broad mass of simple gray clouds. 


Signed at the lower right, J. RAFFAELLI. 
Height, 171% inches; length, 20 inches. 


se el — No. 181. 


HIPPOLYTE CAMILLE DELPY 


Ca Ae Nia FRENCH 


Contemporary 


THE HILLSIDE 


From the right foreground, a steep hillside, partly cultivated 
and partly waste, extends away to the distance, and on the left 
is a shallow pond, on the opposite shore of which stands a red- 
roofed residence surrounded by tall trees. Here and there a few 
figures enliven the landscape. A boat with a single occupant 
is floating on the water and a large skiff is drawn up under the 
steep bank on the edge of the pond. Small clouds, touched by 


the glow of sunset, are scattered over the sky. 


Signed at the lower right, H. C. Detpy. 
2 Height, 121%, inches; length, 231% inches. 


No. 182 


GABRIEL MAX 
AUSTRIAN 


1840— jie Dye ie 
THE ARTIST oe hanes ya fe 


Tus is a life-size head of a fair-haired maiden. Her right hand 
supporting her chin, she inclines her head slightly to one side 
and raises her eyes with a devout expression. Part of a palette 
held in her left hand and three brushes are seen at the lower 
part of the picture, which is surrounded by a painted oval. 
She wears a light wine-colored mantle around her shoulders and 
she is crowned with a chaplet of laurel leaves. 


Signed at the upper right, G. Max. 
Height, 201% inches; width, 16 inches. 


No. 183 


/300— 


PAUL JEAN CLAYS 


a Bafa ee BELGIAN 


1819—1900 


MORNING EFFECT ON THE HOLLAND COAST | 


A croup of three bluff-bowed Dutch boats, with colored sails, 
form the chief feature of the composition, their hulls and rig- 
ging reflected in the calm waters of the broad river. In the 
foreground are two rowboats, one on either side, and on the 
left, in the distance, are seen a lighthouse on a low point of land 
and various vessels moored near the shore. The low horizon is 
lost in the glowing mist which hangs over the water and the 
sky is covered with a thin veil of light clouds. 


| Signed at the lower right, P. J. Cuays. ; 
Height, 1614 inches; length, 2414 inches. 


SAVIQ Nvape avg Aq “7800) punpyjoH 7Y} Vo goal Fuutofy “S8L°ON 


No. 184 


Pp. A. J. DAGNAN-BOUVERET 4/2 -— 
FRENCH 


Contemporary je 
HEAD 2 | 
Pastel 

Tus is a life-size head of a young girl, apparently a study 
for a decoration, the left hand holding a paint-brush, which is 
held above her head, and the face is turned toward the upper 
right, the eyes looking in the same direction. A chaplet of 
leaves partly hides the hair. 


Signed at the lower left, P. A. J. DAGNAN-BovuveRet. 
Height, 15 inches; length, 20 inches. 


No. 185 


VAL BERNARDUS JOHANNES BLOMMERS 
DUTCH 


Wie, des CEE ee. 1844— 
MENDING FISHING NETS YV:C- 


In a large stable half a dozen or more Dutch women are seated 
engaged in mending fishing nets. They are dressed in curious 
Zeeland costumes, with close-fitting caps, short-sleeved jackets 
and full petticoats. The light from an open door shines upon 
the group from the left, accentuating here and there the flesh 


and the draperies. 


Signed at the lower right, BLOMMERS. 


Height, 20 inches; length, 26 inches. 


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By Bernarpus JOHANNES BLoMMERS 


Mending Fishing Nets. 


No. 185. 


No. 186 


FELIX ZIEM » Ae eae 


FRENCH 


1821— 18 A LE eer ee: 


SUNSET IN VENICE 


Tatu fagades bordering a broad Venetian canal rise on either 
side of the picture, the row on the right dominated by a lofty 
tower. The sun is low in the heavens and the warm glow from 
the sunset sky spreads over the palaces on the right, casting 
those on the left into deep but luminous shadow. Various craft 
are moored to the quays on either side, and a gondola, with a 
single gondolier, is crossing the canal in the foreground. 


Signed at the lower right, Zim. 
Height, 274% inches; width, 211% inches. 


No. 187 


Koo?’ 
JEHAN GEORGES VIBERT 


yr VA Byipe . FRENCH 


} 1840—1902 
THE BOOKWORM 


A carpINaL in full red robes, carrying a gold-headed stick, 
stands near an ornate carved and gilded lectern in a rich 
library, daintily turning the leaves of a book which rests upon 
a wrought-iron support. Behind the cardinal, on the right, is 
a figured velvet screen partly concealing a tapestried curtain. 


November 17, 1898. 
Sir: 


Mr. Allard has told me that you would like to have a letter explanatory 
of a picture which I have lately finished, and of which you have acquired 
the ownership. 

I hasten to respond to your desire. It will be for me a means of thanking 
you for the honor you do me in condescending to interest yourself in my 
work. 

The picture in question represents the corner of a picturesque library, 
which does not shine by reason of any elegance, since its sole ornaments are 
sombre hangings and old furniture of another period; but upon the shelves 
where the books are arranged, are hidden many treasures. 

Behold, well in evidence, supported by the pulpit of an old lectern the 
most precious treasure of all, an old Dutch bible, in its primitive binding, 
not intact, but at least respectable. It is the latest “find,” the rarest piece 
of all, long coveted, haggled over as to price, finally captured and placed 
in the sanctuary. 

In the absence of the master of the house a friendly visitor has been 
introduced. He is a Cardinal who himself would seem to be most appre- 
ciative of the marvels of the printers’ art, for before taking off his mantle, 
without even taking the time to put down his stick and hat, he has thrown 
himself upon the old treasure, and is now slowly turning over the leaves. 

The point which I have striven to bring out in this painting is the physiog- 
nomy of a bibliophile, at gaze before a rare book. There are many passions 
in those heads, love or envy; but also that nobility which is always given by 
erudition joined to taste for art. 

There, sir, is the explanation of my character sketch. Besides, since you 
are yourself an amateur, you must know better than anybody else what he 
is thinking. 

Receive, sir, the assurance of my most perfect consideration. 

J. G. Vipert. 
Signed at the lower right, J. G. ViBerr. 


Height, 16 inches; width, 121, inches. 
From the Artist. 


By JeHan Georces VIBERT 


The Bookworm. 


187. 


No. 


a 


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No. 188 A ehie — 


FERDINAND ROYBET 


FRENCH AK} oe ity 


1840— 
THE SENTINEL 


A tat, youthful cavalier, in the costume of Louis Quatorze, 
with thigh boots, figured damask doublet, silk breeches and 
cloak, stands near the entrance of a palace or other public 
building, his sword held in his right hand, over his right shoul- 
der, and his head turned toward the hilt. The figure, strongly 
lighted from the upper left, is relieved against a dark back- 
ground of masonry. On the right are the lower steps of a stair- 
case. 


Signed at the lower left, F. Royset. 
Height, 24 inches; width, 141% inches. 


No. 189 


[fo — 
CONSTANT TROYON 


FRENCH 


Wy Be Cane / a 1810—1865 


RETURNING HOME 


A LARGE flock of sheep is assembled in the foreground, and be- 
hind stands a peasant with his shepherd dog, followed by a 

donkey with two panniers and a peasant woman rider. The 
group is in strong effect of sunlight, diminishing in intensity 
from the foremost animal to the group beyond. On the left is 
the edge of a forest with trees in full foliage, and beyond, on 
the right, a clump of rounded trees in the middle distance. The 
sky is covered with summer clouds, showing here and there 
tiny spots of blue. 


Signed at the lower left, C. T. 


Height, 25 inches; width, 201, inches. 


No. 189. Returning Home. By Constant 'Troyon 


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No. 190 


| E epee 0 
LOUIS EUGENE BOUDIN : 


FRENCH 


; f 
1824—1898 1. Wor. ‘Ge Qn on g / 
LA FALAISE DE BENERVILLE 


On the left a rocky promontory slopes down to the sea, where 
a jagged rocky point extends far out into the water. The quiet 
glassy bay is dotted here and there with fishing vessels, and, 
reflecting the tones of the sunset sky, extends away to the ex- 
treme distance, where the horizon is lost in a glowing mist. 
Beyond the promontory, which is crowned with large buildings 
surrounded by trees, is seen a low hill across the water in the 
distance. 


Signed at the lower left, E. Bounty, ’97, 19/9 BEeNeERvVILLE. 
Height, 211% inches; length, 351, inches. 


No. 191 


L100 


JEAN BAPTISTE CAMILLE COROT 
FRENCH 


eft : Vice - 1796 —1875 


CATCHING CRAWFISH 


Tus is a forest interior where slender trees grow closely to-— 
gether and the ground is covered with tangled undergrowth. 
In the right foreground a narrow brook flows out of the pic- 
ture and the figure of a man with bare arms and legs is kneeling 
on a rock, apparently catching crawfish in the water. Beyond 
the figure, and in the extreme distance, is visible a tiny spot of 
luminous sky seen between the tree trunks, and over the red roof 
of a small cottage in the upper part of the picture tiny spots 
of delicate blue show through the foliage. 


_ Signed at the lower left, Corot. 
Height, 251% inches; width, 1914 inches. 
From the Davw H. Kine, Jr., Sale, 1896. 46 are 
Se teet Ses eer eee eee 


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Catch 


No. 191 


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No. 192 ; 
PEL aes 6 Pe 


ANTOINE VOLLON 


FRENCH ae ee 


1833—1900 


THE DOCKS 


Tuis is the study of the quay in a French seaport town, with 
large buildings on the left and a narrow harbor on the right, 
and a suggestion of many craft moored near the quay. Masses 
of light clouds float high in the heavens, here and there touched 
by the sunlight. 


Signed at the lower right, A. VoLLon. 
Height, 3314 inches; width, 2814 inches. 


No. 193 


VA 


JEAN BAPTISTE CAMILLE COROT 


FRENCH 
1796—1875 


A ulrs) Grease 


NYMPHS BATHING 


A LARGE group of trees in full foliage rises against a glowing 
sky on the left and is reflected in a large pool of water which 
extends across the picture. In the foreground three nymphs 
are seen near the water’s edge, one of them about to enter, 
and the others engaged in preparing for the bath. On the right 
is a slender birch tree with feathery foliage, and beyond, and 
across the pool, is a distant rugged hillside seen against the 


sunset sky. 


Signed at the lower left, Coror. 


Height, 391% inches; width, 30 inches. 


From the Mary J. Morean Collection, 1886, Catalogue No. 56. YO 
ft 


No. 193. Nymphs Bathing. By Jean Baptiste CaMILLE 


Corot 


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HIPPOLYTE CAMILLE DELPY 
FRENCH Vid: A. 
Contemporary 


A BROAD river extends across the foreground and is crossed by 


LANDSCAPE 


a series of rough frame-works with fishing traps and nets. On 
the right a large clump of trees grows on a low bank, the dark 
mass. of foliage reflected in the water, and on the left, across 
the river, is a pleasant farming country, with a moderate-sized 
hill extending away in perspective to the distance. The sky is 
partly covered by storm clouds and the light is concentrated 
near the horizon. | 


Signed at the lower left, H. C. Detpy. 
Height, 38 inches; length, 53 inches. 


J 209 ey No. 195 


CHARLES EMILE JACQUE 


Ak t2hov ‘ FRENCH 


1813—1894 


WATERING THE FLOCK 


In the right foreground is a shallow pool at the foot of an 
irregular grassy slope where willows and other trees grow. A 
flock of sheep, attended by a small boy and a black shepherd 
dog, has left the pasture and crowds at the water’s edge to 
drink. The sun shines strongly from the upper left, throwing 
a shadow on the boy and partly across the flock. 


Signed at the lower left, Cu. Jacque. 
Height, 32 inches; length, 44 inches. 


CADOVGE AUN saTUvHD AG ‘YI, ay, Sur1ajVA, “GEL ‘ON 


No. 196 — 
gk om 
HENDRIK VALKENBURG 


DUTCH ee Heck LE, 


1826—1896 


AT HOME 


A Dutcu peasant has sought his comfortable cottage home 
after the labor of the day, and, smoking his pipe, is seated 
near a small table close by the single window of the room. Op- 
posite, the good vrouw is engaged in grinding coffee for her 
husband’s supper. The group is lighted by a square window in 
the middle of the picture, through which is seen a garden with 
the red roof of a cottage beyond. 


Signed at the lower left, H. Vatkensurc, ’84. 


Height, 361, inches; length, 45 inches. 


LSO— No. 197. 


GEORGES HAQUETTE 
FRENCH 


b  Genecki- 


Contemporary 


LAUNCHING THE BOAT 


In the foreground a group of sturdy fisher folk, four men, two 
women and a small boy, are laboring to launch their heavy row- 
boat through the surf into the deeper water. An old fisherman 
pushes vigorously with an oar, and the small boy tugs at a rope 
in the bow, while the others lift at the gunwales. On the left 
is a line of lofty headlands, and beyond the group a tossing 
sea is dotted with fishing craft. The sky is covered with low, 
drifting rain clouds. 


Signed at the lower left, G. HaquETre. 
Height, 33%, inches; length, 47 inches. 


(Key). 


No. 198. 


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NoiL99. 


REMARKABLE ART FANS 


Tus unique and remarkable collection of the work of celebrated artists was 
started by Mr. Alexander Blumenstiel in 1894, and, after tireless energy, 
completed in ten years. Each blade is painted by a distinguished artist and 
is a complete picture in itself, carefully carried out by the artist and 
strikingly individual in its subject and treatment. 

The five fans embrace a complete representation of the work of all the 
modern foreign and American schools. This work can never again be 
duplicated. Many of the artists have died—among them, Cazin, Henner, 
Benjamin Constant, Géréme, Jacob Maris, Boudin, Vibert, Mesdag, Minor, 
Vollon—and certainly none of the others would ever accept a similar com- 
mission to paint on such a restricted space constituting a work so difficult. 

The mountings were designed and executed by Tiffany & Co. Sugges- 
tions with respect to the mountings were made by Monsieur Madrazo. 


food 
. No. 198 Pt 
ART FAN es igi 


In semicircle, “ Cardinal Fishing,” by J. G. Vibert. 

On blades. Paintings by J. C. Cazin, J. J. Henner, J. B. Robie, 
Josef Israels, Franz Defregger, Martin Rico, Jules Lefebvre, 
Ludwig Knaus, Salinas, F. Cederstrém, R. de Madrazo, Fran- 
cois Flameng, A. E. Hébert, Ed. Griitzner, Théobald Chartran, 
Ferdinand Roybet, Henri Harpignies, Benjamin Constant, Marie 
Dieterle, L. Alma-T'adema, J. L. Gérome. 


Gpoo 


Lae A kerk: No. 199 
ART FAN | 


In semicircle, ‘‘ Prometheus Bound,” by Jean Paul Laurens. 

On blades. Paintings by A. Marais, H. C. Delpy, Carleton Wig- 
gins, Leonard Ochtman, G. Jacquet, E. Aman-Jean, W. M. 
Chase, H. Rondel, José Frappa, Irving R. Wiles, Conrad Kiesel, 
Luc Olivier Merson, Gustave Courtois, G. de Sievolla, J. So- 
rolla, J. G. Blanche, H. Lerolle, G. Guignard, Frederick W. 
Kost, G. Boldini, William H. Howe. 


S12 @ 
ble Hirer No. 200 


ART FAN 


In semicircle, classical figure by E. H. Blashfield. 

On blades. Paintings by Fritz Thaulow, J. Francis Minphe. 
George H. Bogert, J. Carroll Beckwith, H. W. Ranger, Albert 
Lynch, H. W. B. Davis, H. Siddons Mowbray, J. G. Brown, 
E. Débat-Ponsan, Francis B. Carpenter, Henri Gervex, Toby 
Rosenthal, G. F. B. Church, Hubert Herkomer, P. Carriére- 
Belleuse, Francis Tattegrain, Paul Meyerheim, L. Paul Dessar, 
B. W. Leader, Robert C. Minor. 


4s 


(Key) 


No. 200. 


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No, 201 


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No. 201 ; 
ART FAN GY HW fiead 6 


In semicircle, “* Scene from ‘ Manon Lescaut,’ ”? Maurice Leloir. 
On blades. Paintings by Jacob Maris, E. Boudin, A. Seitz, C. 
Detti, Virginie Démont-Breton, C. Munier, Jules Worms, Ga- 
briel Max, Antoine Vollon, Antonio Casanova y Estorach, Fred- 
erick A. Bridgman, J. G. Vibert, Joseph Bail, Tony Robert- 
Fleury, Alfred Kowalski, R. de Cuvellon, Louise Abbema, 
Hendrik Mesdag, Luigi Loir. 


No. 202 


ART FAN : fe nee 


Iw semicircle, “Children Gathering Flowers,” by Ludwig Knaus. 
On blades. Paintings by Carolus Duran, Fantin-Latour, Jean 
Béraud, P. J. Clays, H. Kaulbach, P. Bourgaine, Jose Gallegos, 
FI’. H. Kaemmerer, E. Berne-Bellecour, D. Ridgway Knight, J. 
Benlliure, Madeleine Lemaire, Anton von Werner, Léon Per- 
rault, Henry Mosler, V. Chevilliard, Buchbinder, Jos¢ Domingo, 
Julien Dupré, L. Eugéne Lambert, Félix Ziem. 


No. 203 


ve flO CHARLES FRANCOIS DAUBIGNY 
FRENCH 


ere: 1817—1878 


LE PARC DES MOUTONS 


A SHEPHERD with two black dogs is driving a large flock of 
sheep out of an enclosure through a gate into the broad pas- 
tures beyond. On the left, in the middle distance, is a large cop- 
pice with a single building overshadowed by the trees, and on 
the right, low in the heavens, the full round disk of the harvest 
moon is shining, casting a ruddy reflection on the plain below. 
Through the thin mist which covers the sky a few stars shine 
here and there. 


_ This picture and the following one, “ Karly Morning,” were purchased at the 

sale of the effects of the widow of the artist after her death. Mr. D. W. 
Tryon, the well-known landscape painter, a few weeks before Daubigny’s 
death, which occurred on February 19, 1878, visited his studio and saw these. 
two large pictures on the easles. Mr. Tryon in speaking of his visit says: 
“ Both were noble examples of his work and made a deep impression upon 
me. I told him they seemed an advance over all his previous pictures. He 
seemed much pleased and said he hoped as much, adding, ‘They are for 
my family.’ I asked if they were not for sale, and he replied: ‘They are 
both too large and too bold to find a purchaser; all my best work remains 
with me and are pour la famille.” 


Stamped at the lower left, C. D. 
Height, 67 inches; length, 120 inches. 


No. 202 


ANDIGAVG SIOONVUT SATUVHD Ag 


"suojno 


sap IMD IT 


No. 204 


viens 


CHARLES HARRY EATON 
AMERICAN  -— Wiis Boxe 
1850—1901 oa Ofifeem 
THE SHIAWASSEE RIVER 


A sBroap, placid river, in which grow water-lilies and river 
plants in abundance, sweeps from the foreground around to the 
left and then to the right until it disappears behind a low point 
crowned with large trees. An irregular rank of rounded trees 
forms the horizon, and across a low meadow a small area of 
luminous sky is visible. From this point to the zenith rises a 
bank of gray clouds. | 


Signed at the lower right, C. Harry Eaton. 


Height, 28 inches; length, 42% inches. 


No. 205 


L000 
CHARLES FRANCOIS DAUBIGNY 


OAH ie ° FRENCH 


1817—1878 


EARLY MORNING 


A PEASANT man and woman, carrying rude haymaking im- 
plements, are walking along a sandy road which leads from 
the right foreground down a gentle declivity to a broad, richly 
cultivated plain where a stream meanders around between the 
coppices and meadows, and the spire of a church rises against. 
the horizon in the distance. In the left foreground is a large 
heap of manure near a thatched farm building which rises 
out of the picture, and here a number of fowl are seeking their 
morning meal. A gamecock, joyful at the coming of the dawn, 
stands crowing lustily on the summit of the heap. The sky is 
covered with fleecy clouds, the light concentrated near the 
horizon, where the dawn is breaking, and the morning star 
shines high in the heavens at the upper left of the compo- 


sition. 


Stamped at the lower left, C. D. 
Height, 58 inches; length, 94 inches. 


ANOIG@OV(T SIOONVUY SHTUVH’) 


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NR PR ienecnaisiai Comin 


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a . 


No. 206 


PER Sem 
EVERT J. VAN BOKS 


BELGIAN ve 
1838— Lae, Ge 
CORPUS DELICTI 


Tuis is a little comedy in a bourgeois household. An indignant 
old gentleman and his wife have discovered in the drawing-room 
the képi of a French soldier, and have summoned the servants 
to explain the mystery. The cook, the housemaid, the butler 
and the nurse are equally indignant and express by various atti- 
tudes and gestures their refutation of the charge. 3 


Signed at the lower right, E. J. Boxs, ANTWERPEN, 1878. 
Height, 301%, inches; length, 4414, inches. 


No. 207 


bv 6 — 
CARL MARR 


(seat) AMERICAN 


1858— 


PEACE AND WAR 


A MEDIAEVAL shepherd taking his ease in the shadow of a small 
boulder on a grassy slope, surrounded by his flock and at- 
tended by his faithful shepherd dog, is startled by the tramp 
of a horse, and, looking up, sees a knight in full armor mounted 
upon a sturdy white charger proceeding, lance in hand, along 
the crest of the hill. Beyond the knight on the left a distant 
line of hills forms the horizon. The sky is covered with an almost 
unbroken mass of luminous clouds. 


Signed at the lower right, Cant Marr, MuncHEN, ’86. 


Height, 411, inches; length, 66 inches. 


AMERICAN ART ASSOCIATION, 


MaAnaGERS. 


THOMAS E, KIRBY, 


AUCTIONEER. 


WORKS 


| | pe Rue de la Paix 


7. 
t...5 


i‘ y 


BENRE- BELLECOUR, E. 
Re ‘Soldier with Flowers| 


OMMERS, ‘Burwanpvs JOHANNES, 


‘Industry © 
Peeling Potatoes 
Mending Fishing Nets 


_ BOKS, Everr J. vay, 
_ Corpus Delicti 


CATALOGUE 


NUMBERS 


18 


16 


76° 


32 


54 


185 


206 


ogg gia hal 


CATALOGUE 
NUMBERS 


BONHEUR, Mute. Rosa, 


Cattle 7 A 
Sketches 6 
Sketches 8 
A Black Sheep 20° 
The Horse 63 
The Horse Fair 110 
Drawing . 113 
The Quarry 128 
Roaming ~ 166 


BOUDIN, Lovis Evcerne, 


At Villerville 9 
Sea and Sky } 10 
A Breton Interior 14 
Landscape 28 
In the Harbor . 58 
On the Shore U1 
Sketches 114 
Dordrecht Lid 
Sunset 118 
After the Storm 119 
Brittany Interior 140 
La Falaise de Bénerville 190 


BOUGUEREAU, Witu1aMm ApoLPHE 
Female Figure 112 


BRETON, Juues Aporprue, | 
Returning Home 66 


CASANOVA Y ESTORACH, Awnronto, 
Head 
The Test 
The Musician Cardinal 
Testing the Wine 
Testing the Wine 
Two Monks and a Cardinal 
The Cardinal and the Monk 
The Gourmand 
A Good Story 


CAZIN, Jean CuHaRLeEs, 


The Brook 
Brittany Landscape 
Landscape 


A Provincial Town 


CHASE, Wiriiam M., N.A., 


Carmencita 


CLAYS, Paut Jean, 


Calm near Rotterdam 
Marine 

A Dutch Fishing Boat 
Boats Leaving Ostend 
Along the Quay 
Marine 


Morning Effect on the Holland Coast: 


COOMANS, JosEepnH, 
Fishing 


. CATALOGUE 
NUMBERS 


21 
33 
62 
70 
124 
127 
132 
150 
155 


81 
135 
137 
170 


104 


52 
60 
1m 
144 
152 
175 
183 


82 


COROT, Jean Baptiste ‘CaMrnie 
Catching Crawfish 


Nymphs Bathing 
COULAND, M. 
The Barnyard 


COURBET, Gustave, 


A Swiss Scene 


The Surf 


DAGNAN-BOUVERET, P. A. J., 


Head 


DAUBIGNY, Cuarurs Francois, 


A Country Road 
Le Parc des Moutons 
Early Morning 


DE BOCK, Txurornit H., 
Landscape 


DEFREGGER, Franz von, 
~ Head 


DELPY, Hirrotyre Camitye, 
Landscape 
The Backwater 
Landscape 
Landscape 
The Hillside 
Landscape 


CATALOGUE 
NUMBERS 


191 
193 


24 


48 
92 


184 


160 
203 
205 


143 
73 


38 
40 
168 
173 
181 
194 


CATALOGUE 
NUMBERS 


 DEMONT, Apriay, 
Night Niggas 


DE PENNE, Cuaries OLIvier, 
The Meet 123 


DETTI, Czrsarz, 
A Water Excursion 51 


DIAZ DE LA PENA, Narcisse VircILe, 


Flowers 68 
Landscape 120 
In the Forest | 171 


DIETERLE, Martz, 
Landscape and Cattle 88 


DOMINGO, Joss, 
The Cabaret 61 


DUPRE, Jvtien, 
Harvest 95 


DUPRE, JUvLes, 
Landscape 169 


EATON, Cuartes Harry, 
The Shiawassee River 2()4 


ECHTLER, Apotr, 
The Repentant Sinner 41 


ESBENS, E., 
At the Palace Gate 
The Palace Guard 


FANTIN-LATOUR, I.-H. J. TL, 
Figure 


Carnations 


FLAMENG, Francois, 


Information 


FORTUNY, Mariano, 
Courtyard of House in Madrid 


FRERE, Epovarp, 
Mother and Child 


GABRIEL, F., 
Landscape 


GEROME, Jean Leon, 
Drawing in Red Chalk 
The Sentinel 
The Sentinel at the Sultan’s Tomb 


The Caravan 


GROLLERON, Pavu Lovts, 
The Skirmish 


HAGBORG, AvcusteE, 


Home from Harvest 


CATALOGUE 
NUMBERS 


12 
19 


133 
157 


15 


50 


57 


11 


146 


101 


HAQUETTE, Georces, 
Launching the Boat 


HARPIGNIES, Henrt, 
Springtime 
A Summer’s Day 


HART, Jamss M., N.A., 


Summer 


HEILBUTH, Ferprnanp, 


Summer 


HENNER, Jean Jacques, 
Head 
A Head 
Midsummer 
Head — 
Asleep 


Andromeda 


INNESS, Georcez, N.A., 


The Last of the Mohicans 


ISABEY, Evcrne Louis Gasrietr, 


After the Storm 


Marine 


Bringing Home the Wounded 


ISRAELS, Isaac, 


Street Scene 


CATALOGUE 
NUMBERS 


197 


36 
174 


22 


98 


"12 
130 
138 
154 
158 
159 


97 


OT 


ISRAELS, Josepn, 


Pencil Drawing 


JACQUE, Cuartes Emirs, 
Idyl 
Hens 
Poultry 
Watering the Flock 


JACQUET, GuSTAVE JEAN, 


Meditation 
Head 


JETTEL, Evcenr, 
Returning 


JONGKIND, Jonun Barruoup 
A Dutch Canal 


KAEMMERER, Frepertx HeEnprix 
Fishing 
After the Ball 


KOEKKOEK, Barenp CorneELIis, 
Skating Scene 


KOST, Freperick W., A.N.A., 
Night 


KRAY, Proressor WILHELM, 


Psyche 


CATALOGUE 
NUMBERS 


111 


117 
125 
134 
195 


V4 
(126 


84 


116 


90 
145 


39 


87 


105 


LAMBERT, Louis Evcrenr 
Cat and Kittens 


LEFEBVRE, Jutes Josernu, 
The Fruit Seller 


Pandora 


LELOIR, Lovis Atrexanpre, 
The Guitar Player 


LELOIR, Maurice, 
The Harvest Festival 


LEROLLE, Henri 
A French Village 


LHERMITTE, Leon Aveustin, 
The Pond 


LICHTENAUER, Joseru Morrimer 
Head 


LOIR, Lwte1, 


Paris Street Scene 


LYNCH, A.Lserrt, 


A Drawing-room Entertainment 


An Evening Call 


MARIS, Jacos, 
On the Zuyder Zee 


CATALOGUE 
NUMBERS 


49 


102 
107 


121 


106 


94 


80 


59 


13 
15 


136 


MARR, Cart, 
Peace and War 


MAX, GasRieL, 
The Artist 


MENZEL, Apnourn, 
Sketches 


Three Heads 


MEYER VON BREMEN, J. G., 
The First Lesson 


MILLET, JEan Francois, 


Wrestlers 
A French Villa 
La Manche 


MOSLER, Henry, A.N.A., 
Returning Home 
The Faggot Gatherer 


NEUVILLE, AtpHonsze Marie pe, 


Marching across the Desert 
The Sentinel 


OCHTMAN, Lezonarp, 
Landscape 


PASINI, Awxserro, | 
Market Scene at Constantinople 


CATALOGUE 
NUMBERS 


207 


182 


167 


83 


CATALOGUE 
NUMBERS 


PASSINI, Lupwice, 
Head 122 


PERRAULT, Lron Bazitz, 


Maternal Affection 99 
‘The Grape Gatherer 100 


‘PIOT, Evtenne ADOLPHE, 
Head 36 


POKITONOW, Ivan, 
The Gardeners 31 


RAFFAELLI, Jean Francois, 


After a Walk 37 
Avenue de la République 180 


REYNOLDS, Sir JosHua, 
Head 1 46 


RICO, Martin, 
A Bridge at Venice 69 
Rio Santa Marina 85 


ROBIE, Jean Baptiste, 
Roses 9 
Flowers 34 


ROUSSEAU, THEopoRE, 
Sunset 67 


| ROYBET, Ferprnanp, 
The Senciel 


SCHREYER, Avour, 
--' The Desert ; 
A Moorish Horseman  —— 
Arabian Horseman 


SIMON, L., 
Landscape 


SIMONS, P. Marctus, 
~The City of Ophir 


SWAN, Joun M., A.R.A., 


Lioness and Foxhound 


TAMBURINI, Ayronto, 
Threading the Needle 


TEN KATE, M., 
Children at Play 


THAULOW, Fritz, 


Green-houses 
The Brook ; 
The Rippling Brook 


THOREN, Orrto pz, 


Returning from Harvest 


sf 


a 
2 * 
i 


— 
ss CATALOGUE 


NUMBERS 


188 


oh oe 


keane and Cattle 


“Cattle 
: oe 


Vi RIOUS,, 


ee ree GEORGES, 


_ The Artist Cardinal 
Z The Cardinal 

_ A New Subject 
Brie Bookworm 


c _ VOLLON, -ANTOINE, 


Flowers and Fruit 
Still Life 

Still Life 

The Docks 


CATALOGUE 
NUMBERS 


148 


172 
189 


196 


56 
164 


198 
199 
200 
201 
202 


139 
156 
165 
187 


42 
149 
161 
192 


* 


Ae 


* 


WIGGINS, Cartrroy, N.A., 
The After Glow 


WILSON, Ricuarp, 
~ English Landscape 


WORMS, Jvtes, 


Le Pourboire 
The Spanish Fortune Teller 
A Dios ya | 


WUNNENBERG, Cart, 
: The Peace Offering 


ZIEM, Feurx, 


Constantinople | 

The Grand Canal 
Venice 

Night on the Lagoon 


Sunset in Venice 


” 
F) 


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